|
|||||||||||||||||||||||||||||||
Choral |
|
![]() |
Canterbury
Responses Dedicated to 'David Flood and the choristers of Canterbury Cathedral', and first performed there in the summer of 2003, Bryan Kelly's Canterbury Responses take a fresh look at the Preces, Responses and Lord's Prayer from the Anglican service of Evensong and clothe them in bright, contemporary tonal music that also respects the hallowed traditions of these much-loved texts. The choral writing, challenging yet practical, and well within the range of competent parish choirs, is in two or three parts, and is equally suited to choirs of boys' voices and to mixed male and female high-voice ensembles. Simple yet strongly rhythmical imitation between the voices is used to dramatic effect, while several quietly reflective sections complement the predominantly joyful tone of the settings. |
![]() |
Kentucky
Canticles Bryan Kelly's Kentucky Canticles pay homage to the unforgettable music of the deep south, and in particular to the legendary black singer Paul Robeson. Dancing spiritual rhythms infuse the Magnificat's energetic song of joy, and there are lively musical illustrations for the mighty, the proud, the rich, and the humble and meek before the return of the opening phrases heralds an exultant Gloria. In contrast, the Nunc Dimittis draws on the expressivity at the heart of the spiritual style to capture the deep yearning of Simeon's song of farewell. Both movements have short passages for solo voices that may be taken by members of the choir. The Kentucky Canticles are dedicated to John Scott and the Choir of St Thomas Fifth Avenue, New York, and are the latest addition to a long and distinguished output with which Kelly has enriched the musical heritage of Anglican worship.
|
Wind & Brass |
|
![]() |
Brass Bagatelles Standard: Intermediate Skilfully written for a range of instruments that suffer from a dearth of repertoire, Bryan Kelly's Brass Bagatelles offer a variety of enticing moods and styles at an intermediate level that will ensure their popularity amongst brass players of around Grades 4 to 5 standard. The first two movements - a stern minuet and rollicking march - take a tongue-in-cheek look at aspects of ceremonial music. The third, marked 'Tenero' is more introspective, a winsome tune in lilting rhythm. The finale is a gig that contrasts wicked offbeat accents with smooth melody - very typical of this composer - and ends with a splendid glissando from the piano. Many of Bryan Kelly's pieces for brass have featured on examination syllabuses over the years - reflecting his talent to create fresh, approachable music that delights students, teachers and examiners alike.
|
![]() |
Globe Theatre Suite CONTENTS |
![]() |
Mood Pieces for Soprano Saxophone
(or Clarinet) and Piano Exploiting the rich possibilities of the soprano saxophone, Brian
Kelly captures a range of moods in eight tuneful and distinctive
vignettes, that, whether light-hearted or sad, offer an abundance
of musical enjoyment. |
![]() |
Whodunnit.
Suite for Trumpet and Piano 1. Poirot (Detective) |