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Standard Version
Lord of the Dance
PDF Version
Collected Editions
The Byrd Edition
Volume 1: Cantiones Sacrae (1575)
Volume 2: Cantiones Sacrae I (1589)
Volume 3: Cantiones Sacrae II (1591)
Volume 4: The Masses
Volume 5: Gradualia I (1605) - The Marian Masses
Volume 6a: Gradualia I (1605) - All Saints and Corpus Christi
Volume 6b: Gradualia I (1605) - Other Feasts and Devotions
Volume 7a: Gradualia II (1607) - Christmas to Easter
Volume 7b: Gradualia II (1607) - Ascension, Pentecost and the Feasts of Saints Peter and Paul
Volume 8: Latin Motets I
Volume 9: Latin Motets II
Volume 10a: The English Services
Volume 10b: The English Services II - (The Great Service)
Volume 11: The English Anthems
Volume 12: Psalmes, Sonets and Songs (1588)
Volume 13: Songs of Sundrie Natures (1589)
Volume 14: Psalmes, Songs, and Sonnets
Volume 15: Consort Songs for voice & viols
Volume 16: Madrigals, Songs and Canons
Volume 17: Consort Music
Early English Church Music
Volume 1 - Early Tudor Masses: I
Volume 2 - Mundy: Latin Antiphons and Psalms
Volume 3 - Gibbons: I - Verse Anthems
Volume 4 - Early Tudor Magnificats: I
Volume 5 - Tomkins: Musica Deo Sacra: I
Volume 6 - Early Tudor Organ Music: I: Music for the Office
Volume 7 - Ramsey: I - English Sacred Music
Volume 8- 15th-Century Liturgical Music: I - Antiphons and Music for Holy Week & Easter
Volume 9 - Tomkins: Musica Deo Sacra: II
Volume 10 - Early Tudor Organ Music: II - Music for the Mass
Volume 11 - Leighton: The Tears or Lamentations of a Sorrowful Soul
Volume 12 - Tallis: I - English Sacred Music: I - Anthems
Volume 13 - Tallis: II - English Sacred Music: II - Service Music
Volume 14 - Tomkins: Musica Deo Sacra: III
Volume 15 - Dering: Cantica Sacra, 1618
Volume 16 - Early Tudor Masses: II
Volume 17 - Sheppard: I - Responsorial Music
Volume 18 - Sheppard: II - Masses
Volume 19 - Tye: I - English Sacred Music
Volume 20 - Taverner: I - Six-Part Masses
Volume 21 - Gibbons: II - Full Anthems, Hymns and Fragmentary Verse Anthems
Volume 22 - 15th-Century Liturgical Music: II - Four Anonymous Masses
Volume 23 - Giles: Anthems
Volume 24 - Tye: II - Masses
Volume 25 - Taverner: II - Votive Antiphons
Volume 26 - Manuscripts of 14th-Century English Polyphony (Facsimiles)
Volume 27 - Tomkins: Musica Deo Sacra: IV
Volume 28 - White: I - Five-Part Latin Psalms
Volume 29 - White: II - Six-Part Latin Psalms
Volume 30 - Taverner: III - Ritual Music and Secular Songs
Volume 31 - Ramsey: II - Latin Sacred Music
Volume 32 - White: III - Ritual Music and Lamentations
Volume 33 - Tye: III - Ritual Music and Motets
Volume 34 - 15th-Century Liturgical Music: III - The Brussels Masses
Volume 35 - Taverner: IV - Four- and Five-Part Masses
Volume 36 - Taverner: V - Five-Part Masses
Volume 37 - Tomkins: Musica Deo Sacra: V
Volume 38 - Morley: I - English Anthems; Liturgical Music
Volume 39 - Tomkins: Musica Deo Sacra: VI
Volume 40 - Parsons: Latin Sacred Music
Volume 41 - Morley: II - Services
Volume 42 - 15th-Century Liturgical Music: IV Early Masses and Mass Pairs
Volume 43 - Fayrfax: I Magnificat, Mass and Antiphon (O bone Jesu)
Volume 44 - Ludford: I Mass 'Inclina Cor Meum Deus' and Antiphons
Volume 45 - Fayrfax: II Two Masses: 'Tecum principium' and 'O quam glorifica'
Volume 46 - Ludford: Five- and six-part Masses and Magnificat
Volume 47 - 15th-Century Liturgical Music: V. Settings of the Sanctus & Agnus Dei
Volume 48 - The Gyffard Partbooks: I
Volume 49 - 15h-Century Liturgical Music: VI. Mass Settings from the Lucca Choirbook
Volume 50 - The Winchester Troper
Volume 51 - The Gyffard Partbooks: II
Volume 52 - 15th-Century Liturgical Music: VII. The York Masses
Volume 53 - Fayrfax: Regali, Albanus and Sponsus amat sponsam
Volume 54 - Sheppard: III - Hymns, Psalms, Antiphons and other Latin Polyphony
Supplementary Volumes
Musica Britannica
Volumes 1 to 30
Volumes 31 to 60
Volumes 61 onwards
Purcell Society Edition
Volume 1 - Three Occasional Odes
Volume 12 - The Fairy Queen
Volume 21 - Dramatic Music III
Volume 27 - Symphony Songs
Volume 29 - Sacred Music, Part V: Continuo Anthems II
Purcell Society Edition Companion Series
The English Madrigalists
Volume 1: Morley: Canzonets to Two and Three Voices (1595/1593)
Volume 2: Morley: Madrigals to Four Voices (1594)
Volume 3: Morley: Canzonets to Five and Six Voices (1597)
Volume 4: Morley: First Book of Balletts to Five Voices (1595/1600)
Volume 5: Gibbons: Madrigals and Motets for Five Parts (1612)
Volume 6: Wilbye: First Set of Madrigals (1598)
Volume 7: Wilbye: Second Set of Madrigals (1609)
Volume 8: Farmer: Madrigals for Four Voices (1599)
Volume 9: Weelkes: Madrigals to Three, Four, Five and Six Voyces (1597)
Volume 10: Weelkes: Balletts and Madrigals to Five Voices (1598/1608)
Volume 11: Weelkes: Madrigals to Five and Six Parts (1600)
Volume 13: Weelkes: Airs or Fantastic Spirits to Three Voices (1608)
Volume 17: Lichfild: First Set of Madrigals of Five Parts (1613)
Volume 18: Tomkins: Songs of Three, Four, Five and Six Parts (1622)
Volume 19: Ward: First Set of Madrigals (1613)
Volume 20: Farnaby: Canzonets to Foure Voyces (1598)
Volume 21: Bateson: First Set of Madrigals (1604)
Volume 22: Bateson: Second Set of Madrigals (1618)
Volume 23: Bennet: Madrigals for Four Voices (1599)
Volume 24: Kirbye: First Set of English Madrigals (1597)
Volume 25: Pilkington: First Set of Madrigals (1613)
Volume 26: Pilkington: Second Set of Madrigals (1624)
Volume 27: Carlton: Madrigals to Five Voices (1601)
Volume 28: Youll: Canzonets to Three Voices (1608)
Volume 29: East: Madrigals to Three, Four and Five Parts (1604)
Volume 30: East: Second Set of Madrigals (1606)
Volume 31A: East: Third Set of Books (1610)
Volume 31B: East: Fourth Set of Books (1618)
Volume 32: collected Thomas Morley (1601). The Triumphs of Oriana
Volume 33: Alison: An Hour’s Recreation in Musicke (1606)
Volume 34: Vautor: Songs of Divers Airs and Natures (1619)
Volume 35A: Jones: First Set of Madrigals (1607)
Volume 35B: Mundy: Songs and Psalms (1594)
Volume 36: Madrigals by Michael Cavendish, Thomas Greaves, William Holborne and Richard Edwards
Volume 37: Nicolson: Collected Madrigals (c. 1600)
Volume 38: Ward: Madrigals and Elegies from Manuscript Sources
Volume 39: Kirbye: Madrigals from Manuscript Sources
Volume 40: Amner: Sacred Hymnes of Three, Four, Five and Six Parts (1615)
Volume 41: Croce: Musica Sacra (1608)
Volume 42: Yonge: Musica Transalpina (1588)
Music for London Entertainment 1660 - 1800
Group A: Music for Plays 1660 - 1714
Group C: English Opera and Masque
Group D: Pantomime, Ballet and Dance
Group E: Italian Opera
Group F: Music of the Pleasure Gardens
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Operas, Odes & Oratorios
OPERAS, ODES & ORATORIOS
Full scores and performing material for major works by Arne, Blow and Boughton through to Stanford, Storace and Wishart.
Arne, Thomas: Alfred
Ref: MB47
Edited by Alexander Scott
Described as an 'English opera'
Alfred
was first performed in 1740 at Cliveden, the residence of Frederick, Prince of Wales. It is remembered today as the source of the patriotic song 'Rule Britannia'. Performing material for extended excerpts is available for rental.
First published in 1981.
Price:
£82.00
Arne, Thomas: The Masque of Comus
Ref: MB3
Edited by Julian Herbage
John Dalton's stage adaptation of Milton's
Comus,
with music by Thomas Arne, held the 18th-century stage for half a century in various forms. MB3 presents the complete text and music as first produced at Drury Lane Theatre in March 1738. Performing material is available for rental.
First published in 1951. Reprinted 1965.
Price:
£82.00
Arne, Thomas: The Judgment of Paris
Ref: MB42
Edited by Ian Spink
Composed in 1740, this is a fascinating late example of the English masque tradition, and a relatively early work by a composer who began to occupy a central role in the life of London's musical theatre at about the time when Handel was abandoning Italian opera in favour of oratorio. Performing material is available for rental.
First published in 1978.
Price:
£67.00
Contents...
Blow, John: Venus and Adonis. Opera
Ref: PC2
Edited by Bruce Wood
John Blow's pastoral opera
Venus and Adonis
, the second volume of the Companion Series, presents another key work from the decade of the 1680s, which was an important focus of transition between the pre-Restoration masque and the genres of opera and semi-opera. Long recognised as influential far beyond its modest scope, this delightful work is newly edited by the distinguished 17th-century scholar Bruce Wood, with the original and the revised version of the work printed in parallel text on facing pages - the first time an opera has ever been presented in this way. Full performing material for the opera, including single-version scores, is now available.
Hardback
Price:
£65.00
People who bought this item also bought:
1
.
Grabu, Louis: Albion and Albanius. Opera
(Ref:
PC1
)
2
.
Blow, John: Venus and Adonis. Version 1. Instrumental Parts
(Ref:
Y282
)
3
.
Blow, John: Venus and Adonis. Version 1. Performing Score
(Ref:
Y281
)
Blow, John: Venus and Adonis. Version 1. Performing Score
Ref: Y281
Edited by Bruce Wood
Version 1: Original Version
It is recommended that 32 copies of the performance score are purchased for a performance, for the producer, conductor, continuo player, Venus, Adonis, Cupid, Little Cupids (x 6) and the Chorus (x20). Minor roles (3 Shepherds, Shepherdess, Huntsman) are to be drawn from the Chorus.
Price:
£9.95
People who bought this item also bought:
1
.
Blow, John: Venus and Adonis. Version 1. Instrumental Parts
(Ref:
Y282
)
2
.
Blow, John: Venus and Adonis. Opera
(Ref:
PC2
)
3
.
Grabu, Louis: Albion and Albanius. Opera
(Ref:
PC1
)
Blow, John: Venus and Adonis. Version 1. Instrumental Parts
Ref: Y282
Edited by Bruce Wood
Set of Instrumental Parts (4 x Violin 1/Recorder 1; 4 x Violin 2/Recorder 2; 2 x Viola; 2 x Instrumental Bass)
Customers requiring additional instrumental parts should purchase multiple sets as required.
Price:
£50.00
People who bought this item also bought:
1
.
Blow, John: Venus and Adonis. Version 1. Performing Score
(Ref:
Y281
)
2
.
Blow, John: Venus and Adonis. Opera
(Ref:
PC2
)
3
.
Grabu, Louis: Albion and Albanius. Opera
(Ref:
PC1
)
Blow, John: Venus and Adonis. Version 2. Performing Score
Ref: Y283
Edited by Bruce Wood
It is recommended that 32 copies of the performance score are purchased for a performance, for the producer, conductor, continuo player, Venus, Adonis, Cupid, Little Cupids (x 6) and the Chorus (x20). Minor roles (3 Shepherds, Shepherdess, Huntsman) are to be drawn from the Chorus.
Price:
£9.95
People who bought this item also bought:
1
.
Blow, John: Venus and Adonis. Version 2. Instrumental Parts
(Ref:
Y284
)
Blow, John: Venus and Adonis. Version 2. Instrumental Parts
Ref: Y284
Edited by Bruce Wood
Set of Instrumental Parts (4 x Violin 1/Recorder 1; 4 x Violin 2/Recorder 2; 2 x Viola; 2 x Instrumental Bass)
Customers requiring additional instrumental parts should purchase multiple sets as required.
Price:
£50.00
People who bought this item also bought:
1
.
Blow, John: Venus and Adonis. Version 2. Performing Score
(Ref:
Y283
)
Boughton, Rutland: The Immortal Hour. Opera in 2 Acts
Ref: HL12
Duration 135 minutes
Soprano, 2 contralto, tenor & 2 bass soloists, SATB choir; flute (doubling piccolo), oboe (doubling cor anglais), 2 clarinets, bass clarinet, bassoon, 2 horns, trumpet, tenor trombone, bass trombone, timpani, percussion (1), harp & strings.
RENTAL ONLY
Boyce, William: Solomon: A Serenata
Ref: MB68
Edited by Ian Bartlett
Scored for soprano and tenor soloists, SATB chorus and orchestra, the serenata
Solomon
is an outstanding example of the 18th-century pastoral genre at its most poetically rich and distinctive. At one time second only to the
Messiah
in popularity, it deserves equivalent notice today as a masterpiece of the English baroque and as a profuse flowering of Boyce's exceptional talents. Performing material is available for rental.
First published in 1996.
Price:
£88.00
Bridge, Frank: The Christmas Rose. Opera in Three Scenes
Ref: HL21
Duration 52 minutes
Soprano, mezzo soprano, tenor, baritone & bass baritone soloists. SATB chorus & female voice chorus; 2 flutes (one doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, tenor trombone, timpani, percussion (2), tubular bells, harp & strings
RENTAL ONLY
Bush, Alan: Men of Blackmore. Opera in Three Acts
Ref: HL46
Duration 130 minutes
Soprano, mezzo soprano, 2 tenor, 2 baritone, bass baritone & 2 bass soloists, SSAATTBB chorus (minimum 6 voices to each part); 2 flutes, piccolo, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 2 tenor & 1 bass trombone, tuba, timpani, percussion (2) & strings
RENTAL ONLY
Bush, Geoffrey: If the Cap Fits. Opera in One Act
Ref: HL51
Duration 35 minutes
Soprano, tenor & baritone soloists; flute (doubling piccolo), oboe, clarinet (doubling optional bass clarinet), bassoon, 2 horns, trumpet, trombone, timpani, percussion (1) & strings
RENTAL ONLY
Eccles, John: Semele
Ref: MB76
Edited by Richard Platt
An all-sung English opera that was completed in 1707 but which received its first London production only in 1972,
Semele
remains one of the great 'might have beens' of British music. Had it taken the stage as planned it could well have affected the development of English opera by showing that a native form, in spirit Purcellian and English rather than Italian, was indeed perfectly viable during the 18th century. Performing material available for rental.
First Published 2000. Hardback.
Price:
£85.00
Larger image...
Grabu, Louis: Albion and Albanius. Opera
Ref: PC1
Edited Bryan White
Albion and Albanius
is among the first operas in English, written to a libretto by John Dryden, and produced at the Dorset Garden Theatre, London, on 3 June 1685. Composed by the erstwhile Master of the King's Musick to Charles II, the score is of particular interest as representing the French style of Lully, unusual in English music at the time, and is in striking contrast to the score for Dryden's sequel to the work,
King Arthur
, with music by Purcell.
Hardback
Price:
£80.00
People who bought this item also bought:
1
.
Blow, John: Venus and Adonis. Opera
(Ref:
PC2
)
2
.
Blow, John: Venus and Adonis. Version 1. Instrumental Parts
(Ref:
Y282
)
3
.
Blow, John: Venus and Adonis. Version 1. Performing Score
(Ref:
Y281
)
Greene, Maurice: Ode on St Cecilia's Day and Anthem: Hearken unto me
Ref: MB58
Edited by H Diack Johnstone
Two pieces with a distinctly Cambridge connection, the Ode being composed for the opening of James Gibbs' University Senate House in 1730, the anthem intended for performance in King's College Chapel on 25th March - Founder's Day - 1728. Performing material is available for rental.
First published in 1991.
Price:
£80.00
Greene, Maurice: Phoebe
Ref: MB82
Edited by H Diack Johnstone
Like its predecessor Florimel, Phoebe (1743), the second of Maurice Greenes two operas, sets a libretto by John Hoadly. Probably written for performance at the Apollo Society, founded by Greene himself in 1733, this three-act opera, for four soloists and chorus, is a beautiful example of the English pastoral-masque genre, both musically and dramatically in the tradition of Handels Acis and Galatea.
Performing material is available for rental.
First published in 2004. Hardback.
Price:
£85.00
Linley, Thomas: A Shakespeare Ode
Ref: MB30
Edited by Gwilym Beechey
A delightful 'Ode on the Spirits of Shakespeare', this is a remarkable achievement by a young composer whose tragically early death, aged 22, deprived English music of a possible figure of genius who was an exact contemporary of Mozart. Performing material is available for rental.
First published in 1970, reprinted with corrections 1985.
Price:
£76.00
Locke, Matthew and Gibbons, Christopher: Cupid and Death
Ref: MB2
Edited by Edward J Dent
Today's revival of interest in 17th-century English music-theatre owes much to pioneering early Musica Britannica volumes which made available for the first time authoritative editions of works such as James Shirley's
Cupid and Death,
an important example of the Renaissance masque tradition surviving from this period. Performing material is available for rental.
First published in 1951, revised 1965.
Price:
£58.00
Locke, Matthew: Dramatic Music (including Psyche)
Ref: MB51
Edited by Michael Tilmouth
A collection that highlights Locke's pivotal role in laying the foundations of English dramatic music, combining the traditions of the Masque with the new optimistic manner of recitative. This volume also contains
The Empress of Morocco
and
The Tempest,
with the music by Humfrey, Banister, Reggio and Hart. Performing material for
Psyche
is available for rental.
First published in 1986.
Price:
£98.00
Larger image...
Purcell, Henry: The Fairy Queen
Ref: PE12
Edited Bruce Wood and Andrew Pinnock
Presented in a highly praised new production by Glyndebourne Opera in 2009, this edition of Purcell's third semi-opera,
The Fairy Queen
, offers a new and definitive version of words and music prepared by two leading scholars in the field. The playtext, anonymously adapted from Shakespeare's
A Midsummer Night's Dream
, is printed in full, and the role of the various sources, and the relationship of the manuscript theatre score to the printed word-books of 1692 and 1693, are thoroughly reappraised. The other sources include music manuscripts which have not previously been examined, and which prove to have a significant bearing on the musical text. Full account is taken of the varied instrumental resources and conventions accessible to the Restoration composer, reflected in the multi-purpose performing material for the edition which is available for rental (HL390).
Hardback
Price:
£95.00
Contents...
Purcell, Henry: Three Occasional Odes
Ref: PE1
Edited Bruce Wood
In addition to
Celestial music
and
Great Parent, hail!
, formerly in
Miscellaneous Odes and Cantatas
which is now replaced by PE27
Symphony Songs
, PE1 contains The Yorkshire Feast Song,
Of old, when heroes thought it base
, which was the inaugural volume of the series, published in 1878 and edited by a founder-member of the society, W. H. Cummings. The first English score with full Baroque instrumentation, including trumpets and oboes, it is a consummate display of orchestral mastery, and represents the composers first response to Giovanni Battista Draghis 1687 setting of Dryden's Cecilian Ode
From Harmony
. Performing material is in preparation.
Hardback
Price:
£65.00
Senator, Ronald: Echoes. Scenes from a History of London
Ref: HL276
Duration 80 minutes
Echoes
is a panorama of the history of the City of London for the young, commissioned for the City of London Festival in 1986 with a libretto by Ursula Vaughan Willliams.
Soprano and/or alto soloist, SA chorus, flute, clarinet, horn, harp, percussion & string quintet [alternatively with piano only or piano and percussion]
RENTAL ONLY
Shield, William: Rosina
Ref: MB72
Edited by John Drummond
A retelling of the biblical story of Ruth in a rural north-of-England setting,
Rosina
was Shield's fourth opera, and was a considerable success at its premiere on the last day of December, 1782.
Rosina's
importance lies in its musical charm, its content (which includes borrowed and original vocal numbers), and in its status as the only English opera of the period for which orchestral parts survive. Performing material will be available for rental.
First published in 1998.
Price:
£80.00
Stanford, Charles Villiers: The Travelling Companion. Opera in Four Acts
Ref: HL207
Duration 180 minutes
2 soprano, mezzo-soprano, tenor, 3 baritone, bass baritone & 2 bass soloists, SATB choir; piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contra bassoon, 4 horns, 3 trumpets, 2 trumpets, 3 trombones, tuba, timpani, percussion (3 players including wind machine & thunder machine), 2 harps & strings.
RENTAL ONLY
Storace, Stephen: No Song, No Supper
Ref: MB16
Edited by Roger Fiske
A delightful late 18th-century stage-piece by a gifted composer who befriended the young Mozart. Regularly revived in amateur or professional productions, it makes an important contribution to our understanding more of a little-known and neglected area of English operatic history. Performing material is available for rental.
First published in 1959 and reprinted with corrections 1975.
Price:
£72.00
Storace, Stephen: Gli Equivoci
Ref: MB86
Edited by Richard Platt
This is the first published version of a major comic opera written in 1786 for Viennas Burgtheater, to a da Ponte libretto adapted from Shakespeare's
The Comedy of Errors
. A pupil of Mozart, Stephen Storace was a major figure in English opera of the late 18th century, and
Gli equivoci
is a unique testament to his versatility and promise. The work is issued in a reduction for voices and keyboard, with an English singing translation. The full score and performing material are in preparation.
First published in 2008. Hardback
Price:
£99.00
Wishart, Peter: The Clandesine Marriage
Ref: HL226
Duration 160 minutes
2 soprano, mezzo soprano, contralto, 2 tenor, baritone, bass baritone & bass soloists; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, percussion & strings.
RENTAL ONLY
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Operas, Odes & Oratorios
Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London, N3 1DZ England. Tel. 020 8343 3303
Latest Titles:
Sheppard, John: Hymns, Psalms, Antiphons and other Latin Polyphony
(Ref: EC54)
Wren, Brian: In God Rejoice!
(Ref: B934)
Restoration Trio Sonatas Set 1. Score and parts
(Ref: Y301)
Restoration Trio Sonatas Set 2. Score and parts
(Ref: Y302)
Restoration Trio Sonatas Set 3. Score and parts
(Ref: Y303)
Rounds, Canons and Songs from Printed Sources: RAVENSCROFT (XCIII)
(Ref: MB93)
Lloyd Webber, William: Northington Farm
(Ref: H478)
Carter, Sydney: Lord of the Dance. Soprano Solo, SATB and Organ arr. Ashley Grote
(Ref: W228)