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Lord of the Dance
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Collected Editions
The Byrd Edition
Volume 1: Cantiones Sacrae (1575)
Volume 2: Cantiones Sacrae I (1589)
Volume 3: Cantiones Sacrae II (1591)
Volume 4: The Masses
Volume 5: Gradualia I (1605) - The Marian Masses
Volume 6a: Gradualia I (1605) - All Saints and Corpus Christi
Volume 6b: Gradualia I (1605) - Other Feasts and Devotions
Volume 7a: Gradualia II (1607) - Christmas to Easter
Volume 7b: Gradualia II (1607) - Ascension, Pentecost and the Feasts of Saints Peter and Paul
Volume 8: Latin Motets I
Volume 9: Latin Motets II
Volume 10a: The English Services
Volume 10b: The English Services II - (The Great Service)
Volume 11: The English Anthems
Volume 12: Psalmes, Sonets and Songs (1588)
Volume 13: Songs of Sundrie Natures (1589)
Volume 14: Psalmes, Songs, and Sonnets
Volume 15: Consort Songs for voice & viols
Volume 16: Madrigals, Songs and Canons
Volume 17: Consort Music
Early English Church Music
Volume 1 - Early Tudor Masses: I
Volume 2 - Mundy: Latin Antiphons and Psalms
Volume 3 - Gibbons: I - Verse Anthems
Volume 4 - Early Tudor Magnificats: I
Volume 5 - Tomkins: Musica Deo Sacra: I
Volume 6 - Early Tudor Organ Music: I: Music for the Office
Volume 7 - Ramsey: I - English Sacred Music
Volume 8- 15th-Century Liturgical Music: I - Antiphons and Music for Holy Week & Easter
Volume 9 - Tomkins: Musica Deo Sacra: II
Volume 10 - Early Tudor Organ Music: II - Music for the Mass
Volume 11 - Leighton: The Tears or Lamentations of a Sorrowful Soul
Volume 12 - Tallis: I - English Sacred Music: I - Anthems
Volume 13 - Tallis: II - English Sacred Music: II - Service Music
Volume 14 - Tomkins: Musica Deo Sacra: III
Volume 15 - Dering: Cantica Sacra, 1618
Volume 16 - Early Tudor Masses: II
Volume 17 - Sheppard: I - Responsorial Music
Volume 18 - Sheppard: II - Masses
Volume 19 - Tye: I - English Sacred Music
Volume 20 - Taverner: I - Six-Part Masses
Volume 21 - Gibbons: II - Full Anthems, Hymns and Fragmentary Verse Anthems
Volume 22 - 15th-Century Liturgical Music: II - Four Anonymous Masses
Volume 23 - Giles: Anthems
Volume 24 - Tye: II - Masses
Volume 25 - Taverner: II - Votive Antiphons
Volume 26 - Manuscripts of 14th-Century English Polyphony (Facsimiles)
Volume 27 - Tomkins: Musica Deo Sacra: IV
Volume 28 - White: I - Five-Part Latin Psalms
Volume 29 - White: II - Six-Part Latin Psalms
Volume 30 - Taverner: III - Ritual Music and Secular Songs
Volume 31 - Ramsey: II - Latin Sacred Music
Volume 32 - White: III - Ritual Music and Lamentations
Volume 33 - Tye: III - Ritual Music and Motets
Volume 34 - 15th-Century Liturgical Music: III - The Brussels Masses
Volume 35 - Taverner: IV - Four- and Five-Part Masses
Volume 36 - Taverner: V - Five-Part Masses
Volume 37 - Tomkins: Musica Deo Sacra: V
Volume 38 - Morley: I - English Anthems; Liturgical Music
Volume 39 - Tomkins: Musica Deo Sacra: VI
Volume 40 - Parsons: Latin Sacred Music
Volume 41 - Morley: II - Services
Volume 42 - 15th-Century Liturgical Music: IV Early Masses and Mass Pairs
Volume 43 - Fayrfax: I Magnificat, Mass and Antiphon (O bone Jesu)
Volume 44 - Ludford: I Mass 'Inclina Cor Meum Deus' and Antiphons
Volume 45 - Fayrfax: II Two Masses: 'Tecum principium' and 'O quam glorifica'
Volume 46 - Ludford: Five- and six-part Masses and Magnificat
Volume 47 - 15th-Century Liturgical Music: V. Settings of the Sanctus & Agnus Dei
Volume 48 - The Gyffard Partbooks: I
Volume 49 - 15h-Century Liturgical Music: VI. Mass Settings from the Lucca Choirbook
Volume 50 - The Winchester Troper
Volume 51 - The Gyffard Partbooks: II
Volume 52 - 15th-Century Liturgical Music: VII. The York Masses
Volume 53 - Fayrfax: Regali, Albanus and Sponsus amat sponsam
Volume 54 - Sheppard: III - Hymns, Psalms, Antiphons and other Latin Polyphony
Supplementary Volumes
Musica Britannica
Volumes 1 to 30
Volumes 31 to 60
Volumes 61 onwards
Purcell Society Edition
Volume 1 - Three Occasional Odes
Volume 12 - The Fairy Queen
Volume 21 - Dramatic Music III
Volume 27 - Symphony Songs
Volume 29 - Sacred Music, Part V: Continuo Anthems II
Purcell Society Edition Companion Series
The English Madrigalists
Volume 1: Morley: Canzonets to Two and Three Voices (1595/1593)
Volume 2: Morley: Madrigals to Four Voices (1594)
Volume 3: Morley: Canzonets to Five and Six Voices (1597)
Volume 4: Morley: First Book of Balletts to Five Voices (1595/1600)
Volume 5: Gibbons: Madrigals and Motets for Five Parts (1612)
Volume 6: Wilbye: First Set of Madrigals (1598)
Volume 7: Wilbye: Second Set of Madrigals (1609)
Volume 8: Farmer: Madrigals for Four Voices (1599)
Volume 9: Weelkes: Madrigals to Three, Four, Five and Six Voyces (1597)
Volume 10: Weelkes: Balletts and Madrigals to Five Voices (1598/1608)
Volume 11: Weelkes: Madrigals to Five and Six Parts (1600)
Volume 13: Weelkes: Airs or Fantastic Spirits to Three Voices (1608)
Volume 17: Lichfild: First Set of Madrigals of Five Parts (1613)
Volume 18: Tomkins: Songs of Three, Four, Five and Six Parts (1622)
Volume 19: Ward: First Set of Madrigals (1613)
Volume 20: Farnaby: Canzonets to Foure Voyces (1598)
Volume 21: Bateson: First Set of Madrigals (1604)
Volume 22: Bateson: Second Set of Madrigals (1618)
Volume 23: Bennet: Madrigals for Four Voices (1599)
Volume 24: Kirbye: First Set of English Madrigals (1597)
Volume 25: Pilkington: First Set of Madrigals (1613)
Volume 26: Pilkington: Second Set of Madrigals (1624)
Volume 27: Carlton: Madrigals to Five Voices (1601)
Volume 28: Youll: Canzonets to Three Voices (1608)
Volume 29: East: Madrigals to Three, Four and Five Parts (1604)
Volume 30: East: Second Set of Madrigals (1606)
Volume 31A: East: Third Set of Books (1610)
Volume 31B: East: Fourth Set of Books (1618)
Volume 32: collected Thomas Morley (1601). The Triumphs of Oriana
Volume 33: Alison: An Hour’s Recreation in Musicke (1606)
Volume 34: Vautor: Songs of Divers Airs and Natures (1619)
Volume 35A: Jones: First Set of Madrigals (1607)
Volume 35B: Mundy: Songs and Psalms (1594)
Volume 36: Madrigals by Michael Cavendish, Thomas Greaves, William Holborne and Richard Edwards
Volume 37: Nicolson: Collected Madrigals (c. 1600)
Volume 38: Ward: Madrigals and Elegies from Manuscript Sources
Volume 39: Kirbye: Madrigals from Manuscript Sources
Volume 40: Amner: Sacred Hymnes of Three, Four, Five and Six Parts (1615)
Volume 41: Croce: Musica Sacra (1608)
Volume 42: Yonge: Musica Transalpina (1588)
Music for London Entertainment 1660 - 1800
Group A: Music for Plays 1660 - 1714
Group C: English Opera and Masque
Group D: Pantomime, Ballet and Dance
Group E: Italian Opera
Group F: Music of the Pleasure Gardens
Operas, Odes & Oratorios
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Gurney, Ivor
Holst, Gustav
Howells, Herbert
Ireland, John
Jacob, Gordon
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Medtner, Nikolai
Parry, C Hubert
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Carter, Sydney: Lord of the Dance. Piano, Vocal and Guitar. PDF file
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New Titles
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New for Woodwind and Brass
Bizet, Georges (arr Deborah Calland): Carmen Suite. Six celebrated solos arranged for Trumpet and Piano
Ref: H454
Standard: Intermediate
[PDF Sample]
Six fresh new arrangements of immortal melodies from Bizet's operatic tragedy of passion, betrayal and murder will be welcomed by all players of the instrument. For the
Carmen Suite
, well-known soloist and editor Deborah Calland has chosen the Overture, Séguedille, Flower Song, Aragonaise, Card Scene and Chanson Bohème, which may be performed either individually or in the dramatic sequence of the complete suite.
Price:
£9.50
Larger image...
Bond, Christopher: Equinox for Four Euphoniums
Ref: Y299
Treble Clef
Score and Parts
[PDF Sample]
Equinox
was written in late 2011 as a showcase for the euphonium quartet Euphony, who gave the premiere at the opening concert of the 'Festival of Brass' at the Royal Northern College of Music in January 2012. Since then, Euphony have played the work extensively, including a performance at the International Tuba Euphonium Conference in June 2012, at the Brucknerhaus Concert Hall in Linz, Austria.
The word 'equinox' is derived from the Latin aequi (equal) and nox (night). It is the name given to the twice-yearly occasion when the earths axis is inclined neither away from nor towards the sun, so that day and night are of the same duration. With this in mind I structured the work from two thematic groups, consisting of sections of equal length. The first, which is heard after a brief introduction, is marked Energico, and its character is marked by sustained, lyrical lines unfolding over an accompaniment of rapid and deftly articulated rhythmical phrases. The second section, slow and expressive, offers the strongest contrast both in mood and tempo. By a further association of ideas, this sharp distinction of material could be thought of as representing the frenzy of daytime in comparison with the tranquillity of night. In the third and final section, figures from both the preceding sections are brought together in a vigorous finale, the interplay of the four parts intended to demonstrate the capabilities of the euphonium to the full.
Equinox
was the winning entry in the
2012 Stainer & Bell Award for Brass Composition
, held at the Royal Welsh College of Music & Drama.
Price:
£8.95
Croft, William: Six Sonatas for Two Recorders
Ref: Y269
Edited by H. Diack Johnstone
Performing edition corresponding with MB88.
Sonata no. 1 in C minor
(a) Grave, (b) Allegro, (c) Adagio, (d) Allegro
Sonata no. 2 in F major
(a) Allegro, (b) Adagio, (c) Allegro
Sonata no. 3 in G major
(a) Adagio, (b) Presto, (c) Adagio, (d) Allegro
Sonata no. 4 in B flat major
(a) Adagio, (b) Allegro, (c) Adagio, (d) Allegro
Sonata no. 5 in D minor
(a) Grave, (b) Vivace, (c) Allegro
Sonata no. 6 in G minor
(a) Grave, (b) Vivace, (c) Grave, (d) Allegro
Price:
£16.50
Larger image...
Flight, James: A Short Sonata
Ref: H474
For Euphonium (Treble and Bass Clef parts provided) and Piano
[PDF Sample]
A Short Sonata
is a work written at around Grade 8 standard for euphonium and piano. In each of the works three movements, different qualities of the instrument are utilised and explored. In the first movement, an Allegro in 6/8 time, these qualities are the instruments general agility, and its ability to play fast-moving melodies in a way that drives the music forward. Throughout, different ways of phrasing similar material are used to create interest and a varied sound. In the second, slow movement, the resonant and majestic way in which the euphonium can deliver lyrical melodic lines is explored. The movement is made up of four long phrases which peak dynamically at the third, giving room for interpretation and feeling. The third movement exploits the instruments ability to play loudly and aggressively, using lots of accented notes, hairpin crescendos and quick double-tonguing.
A Short Sonata
was the winner of the first
Stainer & Bell Award for Brass Composition
, held at the Royal Welsh College of Music & Drama in Cardiff in May 2010.
Price:
£5.75
Contents...
Kelly, Bryan: Globe Theatre Suite
Ref: H452
Standard: Intermediate
Edited by Ararah Ben-Tovim
[PDF Sample]
For Descant Recorder or Piccolo and Piano
CONTENTS
1. Fanfare; 2. Bransle; 3. Air; 4. Jig; 5. Lament; 6. Song (i); 7. Song (ii); 8. Rigadoon
Bryan Kelly's versatile Globe Theatre Suite recreates eight baroque movements in the winning melodic style for which he is among the most highly regarded of contemporary composers for wind instruments. Of approximately Grades 4 to 5 standard, the pieces include a fanfare, bransle, air, jig, lament, two songs, and a rigadoon. Options for performance include descant recorder or piccolo, and the accompaniment may also be played on the harpsichord. Noted flautist Atarah Ben-Tovim has edited the solo part, and the Globe Theatre Suite may also be played in a transcription of the keyboard accompaniment for strings.
Price:
£6.50
Kelly, Bryan: Partita for Trombone and Piano
Ref: H470
Standard: Intermediate
[PDF Sample]
The Partita for trombone and piano is the latest example of Bryan Kelly's genius for writing bright and idiomatic miniatures for a range of instruments. From the stately opening 'Fanfare', melodious 'Song' and sombre 'Chorale Prelude' to the genial 'Burlesque', and soulful 'Envoi', no aspect of this most characterful member of the brass family is neglected. Both treble clef and bass clef parts are included with the score. The five pieces of this new Partita will be attractive to all trombonists, especially to adventurous young players of around Grades 3 to 5 standard who are keen to explore new repertoire.
Price:
£6.30
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Lloyd Webber, William: Northington Farm
Ref: H478
Rustic Rondino for Bassoon and Piano
Standard: Intermediate
[PDF Sample]
The 'rustic rondino'
Northington Farm
is a charming duet for bassoon and piano, one of a number of impressions for woodwind instruments composed by William Lloyd Webber as mementos of family holidays.
Brief yet perfectly formed, this miniature rondo takes a burbling tune for a stroll via three delightful interludes where the composer's skill at musical illustration is demonstrated in deft harmonic side-slips and an accompaniment that adds to the picture of some amiable country resident of farmyard stable or sty.
Of intermediate grade, the bassoon part lies comfortably within the tenor clef, though concluding with a fruity low B flat! The piano contributes to the meander with an elegant wit entirely characteristic of the composer, whose style embraced both passionate romanticism and gentle humour with equal sincerity.
Price:
£4.25
Samuel Rhian: Dovey Junction for Brass Quintet
Ref: Y224
Score and Parts
[PDF Sample]
Scenes from Welsh life and landscape are a frequent source of inspiration for the music of Rhian Samuel, and, in
Dovey Junction
, the joyful atmosphere of families en route to the Welsh seaside via the little west-coast railway line is the cue for a crackling scherzo for brass quintet.
A snappy rondo theme insists on dressing up in a different texture each time it returns. In between, pithy staccato phrases for trumpets are the setting for more cantabile figures from horn and trombone, and a brief and bluesy episode for muted solo trumpet suggests lazy days on the beach, or grown-up nostalgia for holidays long past. But the energy and sense of expectation remain unstoppable from the first bar to the last, and all five instruments sweep the music into a furious coda that ends the work in riotous high spirits.
Dovey Junction
was written for performance by Borealis Brass (Alaska) at the UNESCO World Forum on Music, Los Angeles, USA in October 20005, at the invitation of the Fondazione Adkins Chiti: Donne in Musica, (Rome).
Price:
£16.50
People who bought this item also bought:
1
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Vaughan, Benjamin Frank: Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain)
(Ref:
Y276
)
2
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Burgon, Geoffrey: Trio
(Ref:
H54
)
3
.
Steptoe, Roger: Sonata No. 3 for Brass Quintet
(Ref:
AC27
)
Samuel, Rhian: Little Duos. Two Clarinets in B flat.
Ref: Y233
Standard: Advanced
Two copies supplied.
[PDF Sample]
Each of these three pieces takes as its starting point a particular aspect of clarinet technique - staccato articulation of repeated notes, sustained legato phrasing and rapid arpeggios respectively - and from it develops an etude that is also a fully formed character piece. The style is exhilarating, and the result a substantial contribution to this neglected instrumental genre.
The Little Duos
could be programmed most effectively with the Poulenc Sonata for two clarinets.
Price:
£8.25
Samuel: The Path Through the Woods. Alto Recorder & Piano
Ref: Y293
Piano part - FOR REHEARSAL PURPOSES ONLY
This work is scored for Solo Alto Recorder and String Quartet with optional Descant Recorder Group. The score and parts are available for rental (ref. HL400). The version here is sold with a piano reduction accompaniment for rehearsal purposes.
Price:
£13.95
Larger image...
Vaughan, Benjamin Frank: Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain)
Ref: Y276
Standard: Intermediate
Three movements for Solo Cornet in B flat:
Ar Ben y Bryn (On Top of the Hill);
Yr Ogof (The Cave);
[MP3 Sample]
Y Ddraig Goch (The Red Dragon)
[PDF Sample]
Ar y Mynydd Prydferth Cymreig
(On the Beautiful Welsh Mountain) is a colourful, programmatic piece in three short movements, depicting scenes of Welsh mountains, valleys, caves and a hero, armed only with his trusty cornet, who encounters a legendary red dragon.
This work was highly commended by the judges in the first
Stainer & Bell Award for Brass Composition
, held at the Royal Welsh College of Music & Drama in Cardiff in May 2010.
Price:
£4.25
People who bought this item also bought:
1
.
Samuel Rhian: Dovey Junction for Brass Quintet
(Ref:
Y224
)
2
.
Burgon, Geoffrey: Trio
(Ref:
H54
)
3
.
Steptoe, Roger: Sonata No. 3 for Brass Quintet
(Ref:
AC27
)
Larger image...
Wilson, Timothy: Avidity for Brass Quintet
Ref: Y290
Score and Parts
[PDF Sample]
Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's
Avidity
is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title.
In the outer sections of
Avidity
strongly accented rhythms command the attention, with arresting
unisono
phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding
Avidity
with a decisive cadence of abrupt repeated chords.
Price:
£15.00
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Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London, N3 1DZ England. Tel. 020 8343 3303
Latest Titles:
Sheppard, John: Hymns, Psalms, Antiphons and other Latin Polyphony
(Ref: EC54)
Wren, Brian: In God Rejoice!
(Ref: B934)
Restoration Trio Sonatas Set 1. Score and parts
(Ref: Y301)
Restoration Trio Sonatas Set 2. Score and parts
(Ref: Y302)
Restoration Trio Sonatas Set 3. Score and parts
(Ref: Y303)
Rounds, Canons and Songs from Printed Sources: RAVENSCROFT (XCIII)
(Ref: MB93)
Lloyd Webber, William: Northington Farm
(Ref: H478)
Carter, Sydney: Lord of the Dance. Soprano Solo, SATB and Organ arr. Ashley Grote
(Ref: W228)