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Christmas is Coming Ref: D96

A collection of carols for Advent and Christmas composed, arranged and edited by Nicholas Temperley.

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Both a dedicated carol singer and an authority on the history of English music, Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.

For over fifty years he has sung, edited and composed carols each Christmas, and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword, the book does not pointlessly duplicate what can be found in many other carol books, but has a personality and purpose of its own.

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Price: £10.95

People who bought this item also bought:

1. Blow, John: Venus and Adonis. Version 2. Instrumental Parts (Ref: Y284)

2. Knowles, Brian R: We Three Kings (Ref: W225)

3. Swann, Donald: Christmas Candle (Ref: W192)

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Corp, Ronald: And all the trumpets sounded. Vocal Score. Ref: D102

For baritone solo, SATB chorus, children's choir (optional) and orchestra.
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Price: £5.25

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Corp, Ronald: A Christmas Mass Ref: D95

SATB and Organ or Piano
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Recently released on EMI Gold by BBC Radio 3 Choir of the Year, Chantage, Ronald Corp's A Christmas Mass combines the time-honoured Latin text with the melodies of over 70 familiar carols and hymns in a musical feast for all lovers of a traditional Christmas.

Some of the tunes provide important thematic material. Others appear more briefly in the joyful accompaniment for organ or piano. All are skilfully woven into a bright and attractive score that will reach out to every member of an audience or congregation in a unique celebration of the season's musical heritage.

Price: £4.95

People who bought this item also bought:

1. Kelly, Bryan: The Capriol Carol (Ref: W222)

Corp, Ronald: Missa San Marco Ref: W218

SATB with optional organ
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This attractive and versatile short setting of the Kyrie, Gloria, Sanctus and Agnus Dei, by one of the UK's leading choral conductors and composers, is ideally practical for both Anglican and Roman Catholic sung eucharist. It can be performed 'a cappella' or with organ accompaniment by a small amateur or professional choir with occasional divisions, and will be no less welcome repertoire for annual patronal celebrations, where appropriate.

Written for the Highgate Choral Society in 2002, the 'Missa San Marco' received a memorable performance the following year in St Mark's Basilica, Venice, hence the title. No less suited to more modest liturgical venues, it has also been successful as a concert item. In 2007 it was performed unaccompanied at the Wigmore Hall, and in May 2008 it will be heard at the Queen Elizabeth Hall on London's South Bank, with the organ part arranged by the composer for orchestra. Score and parts are available on hire from the publisher, and are fully compatible with the vocal score.

Price: £2.95

Corp, Ronald: Three Medieval Carols Ref: W217

SATB (Unaccompanied)
Myn Lyking; The Virgin's Cradle Hymn; Quem Pastores Laudavere
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An expert choral director as well as a highly regarded composer, Ronald Corp has written unaccompanied SATB settings of three famous medieval carol texts, Myn Lyking, The Virgin's Cradle Hymn (Dormi Jesu) and Quem Pastores Laudavere. The idiom is modern yet accessible, with an ear for stylish harmony that includes both modal progressions and colourful added chords, embroidered in some rich yet untaxing divisi writing. The carols may be performed as separate items or as a group, the first two being cradle songs for the Nativity, the third also suited to the celebration of Epiphany on 6 Janaury. Ronald Corp is Founder and Artistic Director of the New London Orchestra and New London Children's Choir, and Musical Director of the London Chorus and Highgate Choral Society.

Price: £1.95

People who bought this item also bought:

1. Stanford, Charles V: Benedictus and Agnus Dei in B flat (Ref: W208)

2. Cæsar, Anthony: Requests (I asked for Peace) (Ref: W187)

3. Hill, Anthony Herschel: Ave Verum Corpus (Ref: W182)

Darke, Harold: In the Bleak Midwinter. TTBB Ref: W223

TTBB and organ
Arranged by John Rutter
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There can be few more delightful presents than a piece of music. Even so,when Margaret Agnes Calkin, friend of the youthful Harold Darke, received In the Bleak Midwinter as a gift from the composer one Edwardian Christmas long ago, could she ever have guessed that a century later this delightful carol-anthem would be sung throughout the world, and even be voted 'the greatest Christmas carol of all time' by The BBC Music Magazine?

Though published in 1911, the autograph score bears the date of completion as 9 December 1909, and to mark the centenary of this remarkable setting of Christina Rossetti's immortal words, Stainer & Bell are pleased to publish a a version for TTBB and organ made by a master of contemporary choral music, John Rutter.

Like the version for SSA already available, this new arrangement for men's voices stays true to the much-loved original for SATB and organ, while making it available for the enjoyment of male-voice choirs. With John Rutter's transcription of the organ part for string orchestra, there are now more ways than ever to include the work in Christmas programmes, as well as other vintage choral items by Darke from the same period, including The Shepherds had an Angel, and the Three Carols for SATB: Love came down at Christmas, Cradle Hymn and A Christmas Carmen, also published by Stainer & Bell.

Price: £1.60

People who bought this item also bought:

1. Morley, Thomas: I love, alas, I love thee (Ref: W35)

2. Vaughan Williams, Ralph: Five Mystical Songs (Ref: W184)

Hayes, Morgan: E Vesuvio Monte Ref: Y275

SSAATTBB
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Written for the outstanding vocal group Exaudi, E Vesuvio Monte is a graphic musical scena that describes the eruption of Mount Vesuvius in 79 AD in the famous eyewitness account of Pliny the Younger. Eight solo voices project fragments of a Latin text in a dramatic montage evoking Roman fortitude in the face of terrifying disaster. With its strongly projected moods of violence and stillness, Morgan Hayes's music is an ideal medium for this subject, and E Vesuvio Monte was enthusiastically received at its world premiere at the 2010 Aldeburgh Festival.

Price: £2.50

Hayes, Morgan: Japanese Sweet. Ref: Y235

Unison, piano and hand-held percussion
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Japanese Sweet was written for the New London Children's Choir, conductor Ronald Corp, and first performed at LSO St Luke's, London on 9 November 2006. The young performers are divided into two groups, one of which sings the short Japanese poem to traditional pitched notes, while the second group plays hand-held triangles and drums, and sings or whispers isolated syllables, or performs them glissandi. The poem, a terse and evocative description of Mount Fuji, is repeated twice, and on each repetition the accompaniment changes to reflect different aspects of the text. Japanese Sweet is a challenging and rewarding study in contemporary vocal techniques, which encourages children to explore sounds and the relation of music and image in fresh and imaginative contexts.

Price: £2.20

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Howells, Herbert: Before me, Careless lying. SSATB Ref: W219

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Before me, careless lying is a fine example of the contrapuntal art of Herbert Howells (1892-1983), inspired by the work of the great English composers of the Renaissance period, those of the madrigal school in particular, but in its passionate sensibility essentially twentieth century. The composer wrote this partsong on Christmas Day 1918, and dedicated it to his friend the organist Dr R. R. Terry, Director of Music at Westminster Cathedral, and chairman of the Tudor Church Music committee. The words are by the poet and biographer Austin Dobson, whose Collected Poems was published in 1897.

Perhaps as a token of the composer’s regard for Terry’s pioneering work in furthering the appreciation and understanding of sixteenth-century church music, Before me, careless lying was originally published with the alto and tenor parts notated in traditional clefs. It is here reissued with clefs in modern forms of treble and transposed treble respectively, and with a keyboard transcription of the vocal parts which is intended for use in rehearsal.

Price: £2.45

People who bought this item also bought:

1. Howells, Herbert: The winds whistle cold (Ref: MV44)

2. Howells, Herbert: Weep ye no more. TTBB (Ref: 51668)

3. Howells, Herbert: Sing Lullaby (Ref: CC228)

Kelly, Bryan: The Capriol Carol Ref: W222

SATB and Organ or Piano
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The Capriol Carol is a magical union of the treasured early English lyric 'This enders night' and the haunting tune of the 'Pieds-en-l'air' from Peter Warlock's much-loved Capriol Suite.

Church choirs comfortable with part-singing will find it easily within their grasp, but it will be no less effective when performed by larger choral groups. A simple yet telling organ part adds to the effect of this delightful new setting, which deserves a permanent place in the Advent and Christmas repertoire.

Price: £1.60

People who bought this item also bought:

1. Swann, Donald: Christmas Candle (Ref: W192)

2. Corp, Ronald: A Christmas Mass (Ref: D95)

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Kelly, Bryan: Joly Joly Wat Ref: W226

SATB and Organ or Piano
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Included in the Oxford Book of Ballads and ascribed to an anonymous 15th-century author, the tale of Joly Joly Wat the shepherd who offers the infant Christ his 'pipe, skirt, tarbox and scripe' is among the best-loved of traditional Christmas verses. Its musical reference offers an obvious attraction to composers, and in Bryan Kelly's new setting a sprightly ritornello embellished with trills is the musical counterpart to the young herdsman's musical instrument on which 'he made such joy.'

Written for Simon Williams and the Harrow Choral Society, Joly Joly Wat brings a fresh and lively note to seasonal choral concerts. The vocal writing is clear and straightforward, with occasional division of the sopranos, and an incisive and syncopated style that matches the shepherd-boy's haste to leave his flock and his faithful dog keeping his 'shepe fro ye corn' in order to visit the new-born Jesus.

Price: £1.95

People who bought this item also bought:

1. Knowles, Brian R: We Three Kings (Ref: W225)

2. Swann, Donald: Christmas Candle (Ref: W192)

3. Archer, Malcolm: Sleigh Bells Across the Snow (Ref: H466)

Kelly, Bryan: Kentucky Canticles Ref: W215

Magnificat and Nunc Dimittis for SATB and Organ.
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Bryan Kelly's Kentucky Canticles pay homage to the unforgettable music of the deep south, and in particular to the legendary black singer Paul Robeson.

Dancing spiritual rhythms infuse the Magnificat's energetic song of joy, and there are lively musical illustrations for the mighty, the proud, the rich, and the humble and meek before the return of the opening phrases heralds an exultant Gloria.

In contrast, the Nunc Dimittis draws on the expressivity at the heart of the spiritual style to capture the deep yearning of Simeon's song of farewell. Both movements have short passages for solo voices that may be taken by members of the choir.

The Kentucky Canticles are dedicated to John Scott and the Choir of St Thomas Fifth Avenue, New York, and are the latest addition to a long and distinguished output with which Kelly has enriched the musical heritage of Anglican worship.

Price: £2.95

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Kelly, Bryan: Summer in Winter Ref: W224

SATB and Organ or Piano
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Bryan Kelly's choral music has enriched the repertoire of many choirs, who will be delighted by his latest carol Summer in Winter. The words, a prophetic text by the 17th-century Metaphysical poet Richard Crashaw, may also be used as a prayer within the Anglican Christmas liturgy.

A calm and reflective cradle song for SATB and organ, this charming piece moves strophically through quiet dissonances and shifting colours of major and minor chords to a softly radiant conclusion. Written for James Lancelot and the choir of Durham Cathedral, it will create a haven of musical repose within a sacred space, whether used as an anthem within Advent or Christmas services, or in a concert of seasonal music.

Price: £1.60

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Knowles, Brian R: We Three Kings Ref: W225

Unison Voices and Piano
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'Brian Knowles has the rare gift for giving traditional carols a modern twist and at the same time enhancing their popular appeal,' says television personality Alan Titchmarsh MBE. 'We Three Kings is one of his most infectious and exuberant compositions. I love it and know it by heart.'

He is not alone in enjoying this hugely tuneful and upbeat new version of words adapted from the much-loved Christmas hymn. It is a favourite item in the repertoire of the choir of the Royal School for girls, Haslemere, whose enthusiastic performance has become a regular feature of Alan's Radio 2 show Melodies for You.

More information...

Price: £1.95

People who bought this item also bought:

1. Swann, Donald: Christmas Candle (Ref: W192)

2. Ogden, Nigel: Mr Mozart Takes a Sleigh Ride (Ref: H451)

3. Henly: Musical Crosswords (Ref: B906)

Northcott, Bayan: Canticle: The Doubting of Thomas Ref: AC238

Solo Alto, Tenor and Baritone voices with optional ATB choir and organ
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Price: £2.50

Northcott, Bayan: Regina Celi (No. 4 of Four Votive Antiphons) Ref: Y210

Mezzo-soprano, three tenors and baritone.
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The publication of Regina Celi completes the cycle of four votive antiphons based on the traditional chants of compline, in which the composer Bayan Northcott has imaginatively recreated many of the techniques of medieval and Renaissance music in the context of a contemporary vocal ensemble. Two earlier settings from the sequence, Salve Regina and Alma Redemptoris Mater, have recently been recorded to great acclaim by the Choir of Gonville & Caius College, Cambridge, on Signum SIGCD070. Whether performed by mezzo soprano, three tenors and baritone or full choir (the score may be used for either version) the cumulative effect is of a powerful distillation of the chant, as choral writing of increasing complexity brings the work - and the cycle - to a serene conclusion in F major.

Price: £2.50

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Purcell, Henry: Come ye Sons of Arts Ref: D98

Full Score.
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In a remarkable case of musicological detective work, Dr Rebecca Herissone has cast doubt on the veracity of the sole surviving source for one of Henry Purcell's best loved choral works. Furthermore, through careful analysis of the manuscript, and inspired by a fascinating historical 'find', she has established the probable text of the composer's ode as it was first performed on 30 April 1694 for the birthday of Queen Mary. How an eighteenth-century copyist known to history only as Pindar amplified and extended Purcell's lost examplar, in ways that corrupted his original intentions, is described in the Preface to the edition - a remarkable story, which is supported by a detailed Editorial Commentary. Brass and timpani are now omitted as being late-baroque additions, and there are modifications to the shape and phrasing of a number of movements. The overall effect is to simplify both the scoring and structure, with clearer word-setting and instrumental part writing.

This new edition of Come ye Sons of Arts was performed by the Gabrieli Consort & Players at the Wigmore Hall in April 2008, and will be heard again on 24 August at this year's Edinburgh Festival, given by The Sixteen, conducted by Harry Christophers.

Price: £9.95

People who bought this item also bought:

1. Blow, John: Venus and Adonis. Version 2. Performing Score (Ref: Y283)

2. Blow, John: Venus and Adonis. Version 1. Performing Score (Ref: Y281)

3. Vaughan Williams, Ralph: A Cambridge Mass (Ref: D99)

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Purcell, Henry: Come ye Sons of Arts Ref: Y271

Set of Instrumental Parts

1 x Oboe 1
1 x Oboe 2
1 x Recorder 1
1 x Recorder 2
1 x Trumpet
3 x Violin 1
3 x Violin 2
3 x Viola
3 x Instrumental Bass

Please note that there is also a continuo part, which is played from the full score (D98).

Price: £50.00

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Samuel, Rhian: Opposites Ref: Y280

SATB unaccompanied
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1. Age and Youth (words by William Shakespeare)
2. Sun and Shadow (words by Thomas Campion)

For amateur SATB chorus with divisions, Opposites by Rhian Samuel pairs a well-known poem by Shakespeare with a less familiar one by his contemporary, the lute-song composer Thomas Campion.

In Shakespeare's much anthologised 'Crabbed Age and Youth' the decay of the former and vigour of the latter inspire contrasts of texture, register and dynamics to make a simple yet effective form culminating in the defiant tutti of 'Age, I do defy thee!'

A meditation on the fruitless pursuit of passion, Campion's 'Follow thy fair sun, unhappy shadow' alternates a lilting refrain with dueting soprano and alto, and tenor and bass.

Lasting around ten minutes, the two items would make an attractive and complementary element in any programme that explored the richness of English verse in choral song, whether in classical, romantic or contemporary repertoire.

Price: £2.50

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Samuel, Rhian: What Cheer? Ref: Y287

SATB and Organ
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Composed for the internationally regarded Choir of New College, Oxford, and its conductor Edward Higginbottom, Rhian Samuel's What Cheer? is a bright and uplifting new setting of words already familiar to singers from popular carols by William Walton and Peter Warlock. The scoring is for SATB choir and organ, with optional short solos for soprano, alto and bass.

An eminent and established song composer, Samuel has brought to this text, originally from a 16th-century commonplace book compiled by Richard Hill, her own idiomatic response to the tradition of music for Christmas. Though written for one of the world's great vocal ensembles, What Cheer? is well within the range of accomplished amateur choirs, and the effective scoring for voices captures in ringing choral sounds the buoyant optimism of this poetic celebration of Christ's birth.

Price: £2.65

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Sing We Merrily: Music for Eighteenth-Century English Choirs Ref: D93

Edited by Nicholas Temperley and Sally Drage
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A collection of great historical interest, this practical anthology of anthems will appeal to West Gallery and Sacred Harp groups, as well as to church choirs both in Britain and America wishing to add an authentic and colourful strand of music to their worship. The contents are drawn from the definitive collection of this repertoire, Musica Britannica Volume 85, Eighteenth-Century Psalmody, with keyboard reductions and a comprehensive note on performance also included.

Price: £9.95

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Vaughan Williams, Ralph: A Cambridge Mass Ref: D99

Vocal Score
SATB soloists, double chorus and orchestra
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Although the musical archives of the world have yielded up their fair share of 'lost' or forgotten early works by the great composers, few might be regarded with more surprise and excitement than A Cambridge Mass by Ralph Vaughan Williams. It was completed in 1899 shortly before his 27th birthday and was successfully submitted for the Cambridge degree of Doctor of Music, but remained unperformed and unpublished till now.

More information...

Price: £7.50

People who bought this item also bought:

1. Vaughan Williams, Ralph: O praise the Lord of heaven (Ref: W220)

2. Purcell, Henry: Come ye Sons of Arts (Ref: D98)

3. Christmas is Coming (Ref: D96)

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Vaughan Williams, Ralph: The Garden of Proserpine Ref: D101

Vocal Score
Soprano solo, chorus and orchestra.
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Orchestral material available for rental (Ref. HL401).

Price: £6.50

People who bought this item also bought:

1. Samuel, Rhian: Cerddi Hynafol/Ancient Songs. Song Cycle for Medium Voice and Piano (Ref: Y183)

2. Kelly, Bryan: Joly Joly Wat (Ref: W226)

3. Vaughan Williams, Ralph: A Sea Symphony (Ref: D46)

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Vaughan Williams, Ralph: Twelve Traditional Carols from Herefordshire Ref: D97

Collected and arranged by E. M. Leather and R. Vaughan Williams
Edited by Roy Palmer

SATB unaccompanied, or voice(s) and piano
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First published in 1920, the Twelve Traditional Carols from Herefordshire have been entirely reset in a new and practical format, with the choral arrangements of the songs underlaid for all the verses and presented in open score alongside voice-and-keyboard versions for accompanied or solo performance. An acknowledged authority in the subject, Roy Palmer has provided fascinating notes on the texts and music. His preface places the collection in the context of Vaughan Williams's lifelong interest in folk song both as collector and creative artist, and of his collaboration with Ella Mary Leather, who did much to preserve the folklore heritage of her native county and of the gipsy tradition in particular. The Twelve Traditional Carols from Herefordshire have been recorded by baritone Derek Welton and pianist Iain Burnside on Albion Records ALBCD013.

CONTENTS
1 The Holy Well (First Version)
2 The Holy Well (Second Version)
3 Christmas Now is Drawing Near at Hand
4 Joseph and Mary (to the tune of There is a Fountain)
5 God Rest You Merry, Gentlemen
6 New Year's Carol
7 The Angel Gabriel
8 On Christmas Day
9 Dives and Lazarus
10 The Miraculous Harvest (or The Carnal and the Crane)
11 The Saviour's Love
12 The Seven Virgins (or Under the Leaves)

Price: £7.50

People who bought this item also bought:

1. Vaughan Williams, Ralph: Eight Traditional English Carols (Ref: CH104)

2. Finzi, Gerald: The brightness of this day (Ref: W59)

3. Vaughan Williams, Ralph: The Willow Song (Ref: W138)

Vaughan Williams, Ralph: O praise the Lord of heaven Ref: W220

Two SATB choirs and semi-chorus.
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Reissued to mark the 50th anniversary of the composer's death, O praise the Lord of heaven was first heard in 1913 at St Paul's Cathedral. It is a bold, antiphonal anthem, in the same rich idiom as the Fantasia on the Theme of Thomas Tallis, and an ideal piece for performance in a large resonant acoustic.

Price: £2.65

People who bought this item also bought:

1. Vaughan Williams, Ralph: A Cambridge Mass (Ref: D99)

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