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Copyright Licence Users' Edition
Standard Version
Lord of the Dance
PDF Version
Collected Editions
The Byrd Edition
Volume 1: Cantiones Sacrae (1575)
Volume 2: Cantiones Sacrae I (1589)
Volume 3: Cantiones Sacrae II (1591)
Volume 4: The Masses
Volume 5: Gradualia I (1605) - The Marian Masses
Volume 6a: Gradualia I (1605) - All Saints and Corpus Christi
Volume 6b: Gradualia I (1605) - Other Feasts and Devotions
Volume 7a: Gradualia II (1607) - Christmas to Easter
Volume 7b: Gradualia II (1607) - Ascension, Pentecost and the Feasts of Saints Peter and Paul
Volume 8: Latin Motets I
Volume 9: Latin Motets II
Volume 10a: The English Services
Volume 10b: The English Services II - (The Great Service)
Volume 11: The English Anthems
Volume 12: Psalmes, Sonets and Songs (1588)
Volume 13: Songs of Sundrie Natures (1589)
Volume 14: Psalmes, Songs, and Sonnets
Volume 15: Consort Songs for voice & viols
Volume 16: Madrigals, Songs and Canons
Volume 17: Consort Music
Early English Church Music
Volume 1 - Early Tudor Masses: I
Volume 2 - Mundy: Latin Antiphons and Psalms
Volume 3 - Gibbons: I - Verse Anthems
Volume 4 - Early Tudor Magnificats: I
Volume 5 - Tomkins: Musica Deo Sacra: I
Volume 6 - Early Tudor Organ Music: I: Music for the Office
Volume 7 - Ramsey: I - English Sacred Music
Volume 8- 15th-Century Liturgical Music: I - Antiphons and Music for Holy Week & Easter
Volume 9 - Tomkins: Musica Deo Sacra: II
Volume 10 - Early Tudor Organ Music: II - Music for the Mass
Volume 11 - Leighton: The Tears or Lamentations of a Sorrowful Soul
Volume 12 - Tallis: I - English Sacred Music: I - Anthems
Volume 13 - Tallis: II - English Sacred Music: II - Service Music
Volume 14 - Tomkins: Musica Deo Sacra: III
Volume 15 - Dering: Cantica Sacra, 1618
Volume 16 - Early Tudor Masses: II
Volume 17 - Sheppard: I - Responsorial Music
Volume 18 - Sheppard: II - Masses
Volume 19 - Tye: I - English Sacred Music
Volume 20 - Taverner: I - Six-Part Masses
Volume 21 - Gibbons: II - Full Anthems, Hymns and Fragmentary Verse Anthems
Volume 22 - 15th-Century Liturgical Music: II - Four Anonymous Masses
Volume 23 - Giles: Anthems
Volume 24 - Tye: II - Masses
Volume 25 - Taverner: II - Votive Antiphons
Volume 26 - Manuscripts of 14th-Century English Polyphony (Facsimiles)
Volume 27 - Tomkins: Musica Deo Sacra: IV
Volume 28 - White: I - Five-Part Latin Psalms
Volume 29 - White: II - Six-Part Latin Psalms
Volume 30 - Taverner: III - Ritual Music and Secular Songs
Volume 31 - Ramsey: II - Latin Sacred Music
Volume 32 - White: III - Ritual Music and Lamentations
Volume 33 - Tye: III - Ritual Music and Motets
Volume 34 - 15th-Century Liturgical Music: III - The Brussels Masses
Volume 35 - Taverner: IV - Four- and Five-Part Masses
Volume 36 - Taverner: V - Five-Part Masses
Volume 37 - Tomkins: Musica Deo Sacra: V
Volume 38 - Morley: I - English Anthems; Liturgical Music
Volume 39 - Tomkins: Musica Deo Sacra: VI
Volume 40 - Parsons: Latin Sacred Music
Volume 41 - Morley: II - Services
Volume 42 - 15th-Century Liturgical Music: IV Early Masses and Mass Pairs
Volume 43 - Fayrfax: I Magnificat, Mass and Antiphon (O bone Jesu)
Volume 44 - Ludford: I Mass 'Inclina Cor Meum Deus' and Antiphons
Volume 45 - Fayrfax: II Two Masses: 'Tecum principium' and 'O quam glorifica'
Volume 46 - Ludford: Five- and six-part Masses and Magnificat
Volume 47 - 15th-Century Liturgical Music: V. Settings of the Sanctus & Agnus Dei
Volume 48 - The Gyffard Partbooks: I
Volume 49 - 15h-Century Liturgical Music: VI. Mass Settings from the Lucca Choirbook
Volume 50 - The Winchester Troper
Volume 51 - The Gyffard Partbooks: II
Volume 52 - 15th-Century Liturgical Music: VII. The York Masses
Volume 53 - Fayrfax: Regali, Albanus and Sponsus amat sponsam
Volume 54 - Sheppard: III - Hymns, Psalms, Antiphons and other Latin Polyphony
Supplementary Volumes
Musica Britannica
Volumes 1 to 30
Volumes 31 to 60
Volumes 61 onwards
Purcell Society Edition
Volume 1 - Three Occasional Odes
Volume 12 - The Fairy Queen
Volume 21 - Dramatic Music III
Volume 27 - Symphony Songs
Volume 29 - Sacred Music, Part V: Continuo Anthems II
Purcell Society Edition Companion Series
The English Madrigalists
Volume 1: Morley: Canzonets to Two and Three Voices (1595/1593)
Volume 2: Morley: Madrigals to Four Voices (1594)
Volume 3: Morley: Canzonets to Five and Six Voices (1597)
Volume 4: Morley: First Book of Balletts to Five Voices (1595/1600)
Volume 5: Gibbons: Madrigals and Motets for Five Parts (1612)
Volume 6: Wilbye: First Set of Madrigals (1598)
Volume 7: Wilbye: Second Set of Madrigals (1609)
Volume 8: Farmer: Madrigals for Four Voices (1599)
Volume 9: Weelkes: Madrigals to Three, Four, Five and Six Voyces (1597)
Volume 10: Weelkes: Balletts and Madrigals to Five Voices (1598/1608)
Volume 11: Weelkes: Madrigals to Five and Six Parts (1600)
Volume 13: Weelkes: Airs or Fantastic Spirits to Three Voices (1608)
Volume 17: Lichfild: First Set of Madrigals of Five Parts (1613)
Volume 18: Tomkins: Songs of Three, Four, Five and Six Parts (1622)
Volume 19: Ward: First Set of Madrigals (1613)
Volume 20: Farnaby: Canzonets to Foure Voyces (1598)
Volume 21: Bateson: First Set of Madrigals (1604)
Volume 22: Bateson: Second Set of Madrigals (1618)
Volume 23: Bennet: Madrigals for Four Voices (1599)
Volume 24: Kirbye: First Set of English Madrigals (1597)
Volume 25: Pilkington: First Set of Madrigals (1613)
Volume 26: Pilkington: Second Set of Madrigals (1624)
Volume 27: Carlton: Madrigals to Five Voices (1601)
Volume 28: Youll: Canzonets to Three Voices (1608)
Volume 29: East: Madrigals to Three, Four and Five Parts (1604)
Volume 30: East: Second Set of Madrigals (1606)
Volume 31A: East: Third Set of Books (1610)
Volume 31B: East: Fourth Set of Books (1618)
Volume 32: collected Thomas Morley (1601). The Triumphs of Oriana
Volume 33: Alison: An Hour’s Recreation in Musicke (1606)
Volume 34: Vautor: Songs of Divers Airs and Natures (1619)
Volume 35A: Jones: First Set of Madrigals (1607)
Volume 35B: Mundy: Songs and Psalms (1594)
Volume 36: Madrigals by Michael Cavendish, Thomas Greaves, William Holborne and Richard Edwards
Volume 37: Nicolson: Collected Madrigals (c. 1600)
Volume 38: Ward: Madrigals and Elegies from Manuscript Sources
Volume 39: Kirbye: Madrigals from Manuscript Sources
Volume 40: Amner: Sacred Hymnes of Three, Four, Five and Six Parts (1615)
Volume 41: Croce: Musica Sacra (1608)
Volume 42: Yonge: Musica Transalpina (1588)
Music for London Entertainment 1660 - 1800
Group A: Music for Plays 1660 - 1714
Group C: English Opera and Masque
Group D: Pantomime, Ballet and Dance
Group E: Italian Opera
Group F: Music of the Pleasure Gardens
Operas, Odes & Oratorios
Archives
Bax, Arnold
Bowen, York
Piano Solo
Piano Duet
Bridge, Frank
Choral
Piano
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Carse, Adam
Clarinet & Piano
Piano Solo
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Vocal & Choral
Strings
Darke, Harold
Delius, Frederick
Dunhill, Thomas
Chamber
Piano & Organ
Vocal & Choral
Gurney, Ivor
Holst, Gustav
Howells, Herbert
Ireland, John
Jacob, Gordon
Cello
Choral
Flute
Piano
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Voice
Medtner, Nikolai
Parry, C Hubert
Rubbra, Edmund
Stanford, C V
Choral
Piano
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Violin & Piano
String Quartet
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Vaughan Williams, Ralph
Vocal
Choral
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Wood, Haydn
Musical Puzzles
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Carter, Sydney: Lord of the Dance. Piano, Vocal and Guitar. PDF file
Hudson: Four Hymn-Tune Quodlibets for Organ
English Lute Songs. Book 1
Vaughan Williams, Ralph: Six Studies in English Folk Song for Cor Anglais and Piano
Carter, Sydney: One More Step. Piano, Vocal and Guitar. PDF file
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Dramas with Music
Brendan Ahoy!
Ref: AC124
Arthur Scholey and Donald Swann
This vivid account of the Brendan story can be performed by any combination of children and adults with piano, and is equally suitable for semi-staging cantata style or for a full dramatic production. Words by Arthur Scholey and music by Donald Swann tell of the original discovery of America in colourful terms, but with a sub text relating to joy in the created world, and the spiritual hopes and uncertainties relating to any voyage of human discovery. The Vocal Score provides everything for performance.
Price:
£11.50
One Friday. Vocal Score
Ref: AC82
Edmund Banyard and Kathleen Johnson
This play for Passiontide is built around a character in an unnamed country, eventually taken for execution. The play relates the events from which the Christian Gospel was born as the Passion narrative is interwoven with the story of our contemporary 'Tom'. The music can be played on keyboard, but is best supplemented with flute and guitar and other improvising instruments. The play runs for about two hours and formed part of a festival of plays presented for a season at London's Westminster Theatre. A minimum of five male actors and two female singing actors is needed, with opportunities for all the extras available and an on- or off-stage chorus.
Price:
£10.95
One Friday. Chorus Part
Ref: B563A
Edmund Banyard and Kathleen Johnson
Price:
£3.50
One Friday. Dramatic Text
Ref: B563
Edmund Banyard and Kathleen Johnson
Price:
£2.75
One Friday. PERFORMING LICENCE
Ref: AC82L
A Play by Edmund Banyard
with Music by Kathleen Johnson
This is a performing licence for "One Friday". The cost is £25.00 +VAT per performance. Please adjust the quantity in the shopping basket to reflect the number of performances you will be making. (There will be no carriage charged on this item).
Price:
£25.00
(Excluding VAT at 20%)
One Friday in Eternity
Ref: Y138
A Play with Music
By Edmund Banyard
Written for the simplest of dramatic settings, such as a church without scenery but with a cross used as the focus for lighting and action,
One Friday in Eternity
has proved to be a popular and thought-provoking account of the crucifixion story. Admirers of Edmund Banyard's full-scale Passiontide play
One Friday
will welcome this same inspiring treatment of the Easter theme, but on a scale that requires neither elaborate preparation nor a sophisticated stage venue. The text and songs of
One Friday in Eternity
have been used as part of church services and as a separate dramatic presentation. A minimum of four players is required (there were five at the first performance), and the duration is approximately half-an-hour.
Price:
£4.00
One Friday in Eternity. PERFORMING LICENCE
Ref: Y138L
A Play with Music
By Edmund Banyard
This is a performing licence for "One Friday in Eternity". The cost is £12.50 +VAT per performance. Please adjust the quantity in the shopping basket to reflect the number of performances you will be making. (There will be no carriage charged on this item).
Price:
£12.50
(Excluding VAT at 20%)
Out of This World
Ref: Y139
A Play with Music
By Edmund Banyard
Out of This World
begins where
One Friday in Eternity
ends; these two short dramas can be performed on their own or in sequence, being separate presentations of the two parts of the Easter story, crucifixion and resurrection, that are so skillfully woven as in the narrative of Edmund Banyard's full-scale Passiontide play,
One Friday
. Tom, who in the play is a modern-day political prisoner, becomes the Messenger, a man out of time who is witness to Christ's resurrection and condemned to execution. Topical, yet also concerned with eternal themes,
Out of This World
can be performed by four readers, players and musicians with minimum staging, and is about 30 minutes' duration.
Price:
£4.50
The Song of Caedmon. Full Score
Ref: AC90
Arthur Scholey and Donald Swann
The well-loved story of the simple, shy cowherd, lay brother in the seventh century Whitby Abbey, and how he was inspired by a divine vision to become 'father of religious poetry', in a musical drama (40 mins. approx.) with beautiful music by Donald Swann. The story is told in dialague, which can be acted in full costume and adapted to provide several more parts, or simply narrated by one person in the concert version as required. The music is for choir and instruments (piano, recorders, bells as available). The Full Score contains background notes and production suggestions.
Price:
£11.50
The Song of Caedmon. Chorus Part
Ref: B107
Arthur Scholey and Donald Swann
Price:
£4.50
Stone on Stone. Full Score including text
Ref: W188
Timothy Dudley-Smith and Derek Scott
Stone on Stone
is a cantata for two soloists, choir and organ and just about anyone else who can join in. Timothy Dudley-Smith dramatizes the theme of the Trinity through a confrontation between the builders of a great church and groups of sceptical bystanders. The music, by former Muppet-Show MD Derek Scott, is continuous, and packed with good tunes. A 'Searcher of the Soul' (soprano or tenor) and a 'Watcher of the Heavens' (bass) meditate on the inner meaning of events. Different viewpoints are reconciled in the final affirmation 'A Trinity of Love who reigns alone', sung congregationally. Available in vocal score and separate melody edition, this highly accessible piece is guaranteed success whether performed by small groups or a massed gathering of singers.
Price:
£2.65
Stone on Stone. Melody Edition
Ref: W189
Timothy Dudley-Smith and Derek Scott
Price:
£1.75
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Dramas with Music
Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London, N3 1DZ England. Tel. 020 8343 3303
Latest Titles:
Carter, Sydney: Lord of the Dance. Soprano Solo, SATB and Organ arr. Ashley Grote
(Ref: W228)
Vaughan Williams: Rhosymedre from Three Preludes founded on Welsh Hymn Tunes
(Ref: Y295)
Bridge, Frank: Capriccios Nos. 1 and 2. Piano
(Ref: H480)
Sheppard, John: Hymns, Psalms, Antiphons and other Latin Polyphony
(Ref: EC54)
Restoration Trio Sonatas Set 1. Score and parts
(Ref: Y301)
Restoration Trio Sonatas Set 2. Score and parts
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Rounds, Canons and Songs from Printed Sources: RAVENSCROFT (XCIII)
(Ref: MB93)