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Lord of the Dance
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The Byrd Edition
Volume 1: Cantiones Sacrae (1575)
Volume 2: Cantiones Sacrae I (1589)
Volume 3: Cantiones Sacrae II (1591)
Volume 4: The Masses
Volume 5: Gradualia I (1605) - The Marian Masses
Volume 6a: Gradualia I (1605) - All Saints and Corpus Christi
Volume 6b: Gradualia I (1605) - Other Feasts and Devotions
Volume 7a: Gradualia II (1607) - Christmas to Easter
Volume 7b: Gradualia II (1607) - Ascension, Pentecost and the Feasts of Saints Peter and Paul
Volume 8: Latin Motets I
Volume 9: Latin Motets II
Volume 10a: The English Services
Volume 10b: The English Services II - (The Great Service)
Volume 11: The English Anthems
Volume 12: Psalmes, Sonets and Songs (1588)
Volume 13: Songs of Sundrie Natures (1589)
Volume 14: Psalmes, Songs, and Sonnets
Volume 15: Consort Songs for voice & viols
Volume 16: Madrigals, Songs and Canons
Volume 17: Consort Music
Early English Church Music
Volume 1 - Early Tudor Masses: I
Volume 2 - Mundy: Latin Antiphons and Psalms
Volume 3 - Gibbons: I - Verse Anthems
Volume 4 - Early Tudor Magnificats: I
Volume 5 - Tomkins: Musica Deo Sacra: I
Volume 6 - Early Tudor Organ Music: I: Music for the Office
Volume 7 - Ramsey: I - English Sacred Music
Volume 8- 15th-Century Liturgical Music: I - Antiphons and Music for Holy Week & Easter
Volume 9 - Tomkins: Musica Deo Sacra: II
Volume 10 - Early Tudor Organ Music: II - Music for the Mass
Volume 11 - Leighton: The Tears or Lamentations of a Sorrowful Soul
Volume 12 - Tallis: I - English Sacred Music: I - Anthems
Volume 13 - Tallis: II - English Sacred Music: II - Service Music
Volume 14 - Tomkins: Musica Deo Sacra: III
Volume 15 - Dering: Cantica Sacra, 1618
Volume 16 - Early Tudor Masses: II
Volume 17 - Sheppard: I - Responsorial Music
Volume 18 - Sheppard: II - Masses
Volume 19 - Tye: I - English Sacred Music
Volume 20 - Taverner: I - Six-Part Masses
Volume 21 - Gibbons: II - Full Anthems, Hymns and Fragmentary Verse Anthems
Volume 22 - 15th-Century Liturgical Music: II - Four Anonymous Masses
Volume 23 - Giles: Anthems
Volume 24 - Tye: II - Masses
Volume 25 - Taverner: II - Votive Antiphons
Volume 26 - Manuscripts of 14th-Century English Polyphony (Facsimiles)
Volume 27 - Tomkins: Musica Deo Sacra: IV
Volume 28 - White: I - Five-Part Latin Psalms
Volume 29 - White: II - Six-Part Latin Psalms
Volume 30 - Taverner: III - Ritual Music and Secular Songs
Volume 31 - Ramsey: II - Latin Sacred Music
Volume 32 - White: III - Ritual Music and Lamentations
Volume 33 - Tye: III - Ritual Music and Motets
Volume 34 - 15th-Century Liturgical Music: III - The Brussels Masses
Volume 35 - Taverner: IV - Four- and Five-Part Masses
Volume 36 - Taverner: V - Five-Part Masses
Volume 37 - Tomkins: Musica Deo Sacra: V
Volume 38 - Morley: I - English Anthems; Liturgical Music
Volume 39 - Tomkins: Musica Deo Sacra: VI
Volume 40 - Parsons: Latin Sacred Music
Volume 41 - Morley: II - Services
Volume 42 - 15th-Century Liturgical Music: IV Early Masses and Mass Pairs
Volume 43 - Fayrfax: I Magnificat, Mass and Antiphon (O bone Jesu)
Volume 44 - Ludford: I Mass 'Inclina Cor Meum Deus' and Antiphons
Volume 45 - Fayrfax: II Two Masses: 'Tecum principium' and 'O quam glorifica'
Volume 46 - Ludford: Five- and six-part Masses and Magnificat
Volume 47 - 15th-Century Liturgical Music: V. Settings of the Sanctus & Agnus Dei
Volume 48 - The Gyffard Partbooks: I
Volume 49 - 15h-Century Liturgical Music: VI. Mass Settings from the Lucca Choirbook
Volume 50 - The Winchester Troper
Volume 51 - The Gyffard Partbooks: II
Volume 52 - 15th-Century Liturgical Music: VII. The York Masses
Volume 53 - Fayrfax: Regali, Albanus and Sponsus amat sponsam
Volume 54 - Sheppard: III - Hymns, Psalms, Antiphons and other Latin Polyphony
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Musica Britannica
Volumes 1 to 30
Volumes 31 to 60
Volumes 61 onwards
Purcell Society Edition
Volume 1 - Three Occasional Odes
Volume 12 - The Fairy Queen
Volume 21 - Dramatic Music III
Volume 27 - Symphony Songs
Volume 29 - Sacred Music, Part V: Continuo Anthems II
Purcell Society Edition Companion Series
The English Madrigalists
Volume 1: Morley: Canzonets to Two and Three Voices (1595/1593)
Volume 2: Morley: Madrigals to Four Voices (1594)
Volume 3: Morley: Canzonets to Five and Six Voices (1597)
Volume 4: Morley: First Book of Balletts to Five Voices (1595/1600)
Volume 5: Gibbons: Madrigals and Motets for Five Parts (1612)
Volume 6: Wilbye: First Set of Madrigals (1598)
Volume 7: Wilbye: Second Set of Madrigals (1609)
Volume 8: Farmer: Madrigals for Four Voices (1599)
Volume 9: Weelkes: Madrigals to Three, Four, Five and Six Voyces (1597)
Volume 10: Weelkes: Balletts and Madrigals to Five Voices (1598/1608)
Volume 11: Weelkes: Madrigals to Five and Six Parts (1600)
Volume 13: Weelkes: Airs or Fantastic Spirits to Three Voices (1608)
Volume 17: Lichfild: First Set of Madrigals of Five Parts (1613)
Volume 18: Tomkins: Songs of Three, Four, Five and Six Parts (1622)
Volume 19: Ward: First Set of Madrigals (1613)
Volume 20: Farnaby: Canzonets to Foure Voyces (1598)
Volume 21: Bateson: First Set of Madrigals (1604)
Volume 22: Bateson: Second Set of Madrigals (1618)
Volume 23: Bennet: Madrigals for Four Voices (1599)
Volume 24: Kirbye: First Set of English Madrigals (1597)
Volume 25: Pilkington: First Set of Madrigals (1613)
Volume 26: Pilkington: Second Set of Madrigals (1624)
Volume 27: Carlton: Madrigals to Five Voices (1601)
Volume 28: Youll: Canzonets to Three Voices (1608)
Volume 29: East: Madrigals to Three, Four and Five Parts (1604)
Volume 30: East: Second Set of Madrigals (1606)
Volume 31A: East: Third Set of Books (1610)
Volume 31B: East: Fourth Set of Books (1618)
Volume 32: collected Thomas Morley (1601). The Triumphs of Oriana
Volume 33: Alison: An Hour’s Recreation in Musicke (1606)
Volume 34: Vautor: Songs of Divers Airs and Natures (1619)
Volume 35A: Jones: First Set of Madrigals (1607)
Volume 35B: Mundy: Songs and Psalms (1594)
Volume 36: Madrigals by Michael Cavendish, Thomas Greaves, William Holborne and Richard Edwards
Volume 37: Nicolson: Collected Madrigals (c. 1600)
Volume 38: Ward: Madrigals and Elegies from Manuscript Sources
Volume 39: Kirbye: Madrigals from Manuscript Sources
Volume 40: Amner: Sacred Hymnes of Three, Four, Five and Six Parts (1615)
Volume 41: Croce: Musica Sacra (1608)
Volume 42: Yonge: Musica Transalpina (1588)
Music for London Entertainment 1660 - 1800
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Carter, Sydney: Lord of the Dance. Piano, Vocal and Guitar. PDF file
Consort Songs (XXII)
Secular Vocal Music: Richard DERING (XXV)
Skeaping, Lucie and Roddy: Let's Make Tudor Music: Teacher's Book
Dowland, John: A Pilgrimes Solace (1612)
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Three Songs from A Musicall Banquet
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Cavalier Songs
Ref: B325
Selected from Musica Britannica, Volume 33, edited by Ian Spink
CONTENTS
Wilt thou forgive the sin? D - G (John Hilton)
Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives)
Mark how the blushful morn D - G (Nicholas Lanier)
Stay, silly heart, and do not break D - F (Nicholas Lanier)
Bid me but live, and I will live G - F (Henry Lawes)
No, no, fair heretic, it cannot be E - F(G) (Henry Lawes)
Out upon it, I have lov'd C - D (Henry Lawes)
Sweet stay awhile, why do you rise? D - G (Henry Lawes)
Will you know my mistress' face? E flat - F (Henry Lawes)
Faith be no longer coy F - G (William Lawes)
Since 'tis my fate to be thy slave E - E (William Webb)
In a season all oppressed G sharp - E (John Wilson)
Since love hath in thine and mine eye D - F (John Wilson)
Take, O take those lips away G - G (John Wilson)
Wherefore peep'st thou, envious day? G - A (John Wilson)
Price:
£6.00
People who bought this item also bought:
1
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Purcell, Henry: Vocal Duets. Book 1
(Ref:
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2
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Dowland, John: A Pilgrimes Solace (1612)
and
Three Songs from A Musicall Banquet
(Ref:
LS4
)
3
.
Purcell, Henry: Vocal Duets. Book 2
(Ref:
4130
)
Early Georgian Songs. Book 1 (Medium voice)
Ref: B459
9 songs from the 18th century, arranged with accompaniment for piano, edited by Michael Pilkington.
CONTENTS
Belinda B - F (John Eccles)
Find me a lonely cave B flat - F (John Eccles)
Jolly jolly breeze B - E (John Eccles)
Go rose, my Chloes bosom grace D - E (Maurice Greene)
Cure of care G(A) - F (Richard Leveridge)
Cupid, make your virgins tender D - F (Daniel Purcell)
Let not love on me bestow E flat - E flat (Daniel Purcell)
Modest question C - F (Davidson Russel)
Wakeful nightingale D - F (John Weldon)
Price:
£6.30
Early Georgian Songs. Book 2 (High voice)
Ref: B460
8 songs from the 18th century, arranged with accompaniment for piano, edited by Michael Pilkington.
CONTENTS
Ah, how sweet D - A (William Croft)
How severe is my fate D - A flat (William Croft)
Loves but the frailty of the mind C - G (John Eccles)
Orpheus with his lute G - G (Maurice Greene)
Celia the fair D - G (George Monro)
Gold, receipt for love D - G (George Monro)
From grave lessons D - G (John Weldon)
Shy shepherdess D - G (John Weldon)
Price:
£6.30
Elizabethan and Jacobean Songs
Ref: H147
Arranged by Mary Criswick. Voice & Guitar
CONTENTS
Resound my voice B - E (John Attey)
Of all the birds G - G (John Bartlett)
Pretty duck G - G (John Bartlett)
Maids are simple F sharp - E (Thomas Campion)
My love hath vowd E - E (Thomas Campion)
Thou pretty bird D - F (John Danyel)
Young and simple though I am G - G (Alfonso Ferrabosco)
My choice is made D - F (Francis Pilkington)
Rest sweet nymphs A - G (Francis Pilkington)
Sweet, come again G - G (Philip Rosseter)
What is a day D - D (Philip Rosseter)
In a grove most rich of shade D - F (Guillaume Tessier)
Price:
£6.30
Elizabethan and Jacobean Song books, Forty Songs from. Book 2. Low voice
Ref: X2B
Edited by Edmund Fellowes
CONTENTS
ANONYMOUS: Willow Song (D - D)
CAMPIAN, Thomas: Follow your saint (D - D);
When to her lute Corinna sings (B - D)
DOWLAND, John: Come again, sweet love doth now invite (C - D);
Sleep wayward thoughts (E flat - C);
Sorrow, stay (C - C)
FORD, Thomas: Fair sweet cruel (D sharp - D)
JONES, Robert: Now what is love (C - C)
PILKINGTON, Francis: Diaphenia, like the daffdowndilly (C - C)
ROSSETER, Philip: If she forsake me (B flat- C)
Price:
£5.75
Elizabethan and Jacobean Song books, Forty Songs from. Book 4. High voice
Ref: X4A
Edited by Edmund Fellowes
CONTENTS
ATTEY, John: On a time the amorous Silvy (F - G)
CAMPION, Thomas: Fair, if you expect admiring (E - F);
Follow thy fair sun (F - F)
CAVENDISH, Michael: Finetta, fair and feat (F - F)
DOWLAND, John: Fine knacks for ladies (E - F);
I saw my lady weep (G - G)
FORD, Thomas: Come, Phyllis, come into these bow'rs (G sharp - G);
Not full twelve years twice old (C sharp - G sharp)
JONES, Robert: Love's god is a boy (G - G)
PILKINGTON, Francis: Now peep, Bo peep (E - G)
Price:
£5.75
Elizabethan and Jacobean Song books, Forty Songs from. Book 4. Low voice
Ref: X4B
Edited by Edmund Fellowes
CONTENTS
ATTEY, John: On a time the amorous Silvy (A - D)
CAMPION, Thomas: Fair, if you expect admiring (B - C);
Follow thy fair sun (C sharp - C sharp)
CAVENDISH, Michael: Finetta, fair and feat (D - D)
DOWLAND, John: Fine knacks for ladies (C - D);
I saw my lady weep (D - D)
FORD, Thomas: Come, Phyllis, come into these bow'rs (D sharp - D);
Not full twelve years twice old (A - E)
JONES, Robert: Love's god is a boy (C - C)
PILKINGTON, Francis: Now peep, Bo peep (B - D)
Price:
£5.75
English Songs 1625-1660 (XXXIII)
Ref: MB33
Edited by Ian Spink
A collection of songs by English composers of the generation following the lute-song writers, with music of the Stuart court forming an important element. This corpus of work is of interest for its typically English compromise with the new European styles of declamation and recitative.
First published in 1971, revised 1977.
Offprints available...
Price:
£82.00
People who bought this item also bought:
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Dowland, John: A Pilgrimes Solace (1612)
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(Ref:
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2
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Dowland, John: The Third Booke of Songs (1603)
(Ref:
LS3
)
3
.
Dowland, John: The Second Book of Songs (1600)
(Ref:
LS2
)
English Songs 1800-1860 (XLIII)
Ref: MB43
Edited by Geoffrey Bush & Nicholas Temperley
A representative survey of the best of English art songs dating from the Georgian and early Victorian period. The anthology contains neglected material by Attwood, Balfe, Barnett, Hatton, Loder, Pierson, Pinto, Samuel and S S Wesley and others.
First published in 1979.
Price:
£82.00
The Junior Recitalist Book 1. Soprano
Ref: D81
Compiled by Noelle Barker
CONTENTS
ARNE, Thomas: Sleep Gentle cherub (E - A)
BALES, Alfonso: Chloris sigh'd (G - G)
BLOW, John: Philander, do not think of arms (E - A)
BUSH, Geoffrey: Love for such a cherry lip (C sharp - G flat)
HOLST, Gustav: Persephone (D -G flat)
MORLEY, Thomas: Thyrsis and Milla (G - G)
PARRY, Hubert: Weep you no more (E - G)
PIERSON, Henry Hugo: The white owl (C - E)
PURCELL, Henry: Hark! how all things with one sound rejoice (D - F)
STORACE, Stephen: How mistaken is the lover (D - G)
SULLIVAN, Arthur: Where the bee sucks (D - G)
Price:
£6.50
The Junior Recitalist Book 2. Mezzo-soprano/Contralto
Ref: D82
Compiled by Noelle Barker
CONTENTS
BUSH, Geoffrey: The end of love (C - F)
DOWLAND, John: Come away, come sweet love (F sharp - F)
HATTON, John Liptrot: The Hag (A - F)
HOLST, Gustav: Betelgeuse (B - F)
IRELAND, John: My true love hath my heart (D - F sharp)
PARRY, Hubert: Dirge in the woods (B - E)
PINTO, George Frederick: Invocation to nature (D - F)
PURCELL, Henry: Dear pretty youth (D - E);
Sweeter than roses (B - E)
SULLIVAN, Arthur: The Willow Song (B - E)
THIMAN, Eric: I wandered lonely as a cloud (C - F)
WEBB, William: As life what is so sweet (C - E)
WELDON, John: The wakeful nightingale (D - F)
Price:
£6.50
The Junior Recitalist Book 3. Tenor
Ref: D83
Compiled by Noelle Barker
CONTENTS
BISHOP, Henry Rowley: Take, O take those lips away E - G)
BLOW, John: Of all the torments (C - G)
BOUGHTON, Rutland: Faery Song (E flat - A flat)
BUSH, Geoffrey: The Test (C - G)
DOWLAND, John: Shall I sue? (G - F)
HILTON, John: Wilt thou forgive the sin where I begun? (G - D)
IRELAND, John: Love and Friendship (C - G)
LODER, Edward James: I heard a brooklet gushing (E flat - G)
MONRO, George: Celia the fair (D - G)
PURCELL, Henry: I'll sail upon the dog-star (C - G);
What shall I do to show how much I love her? (E - G)
STANFORD, Charles Villiers: Why so pale? (E flat - G)
WARLOCK, Peter: The contented lover (E flat - A flat)
Price:
£6.50
The Junior Recitalist Book 4. Baritone/Bass
Ref: D84
Compiled by Noelle Barker
CONTENTS
ATTWOOD, Thomas: Go, lovely rose (C - F)
CAMPION, Thomas: It fell on a summer's day (F sharp - E)
ECCLES, John: Find me a lonely cave (B flat - F)
HATTON, John Liptrot: To Anthea, who may command him anything (D sharp - E)
HILTON, John: Hang golden sleep upon her eyelids fair (D - D)
PIERSON, Henry Hugo: Dirge: Fear no more the heat of the sun (G - D)
PURCELL, Henry: Ah! How sweet it is to love (E - F);
The fatal hour comes on apace (C sharp - F)
STANFORD, Charles Villiers: The Sailor man (B flat - E flat)
THIMAN, Eric: Now sleeps the crimson petal (C - E flat)
WARLOCK, Peter: Elore lo (C - F)
Price:
£6.50
Songs 1860-1900 (LVI)
Ref: MB56
Edited by Geoffrey Bush
A fascinating collection that casts new light upon an undervalued 19th-century genre. Women composers Maude Valérie White and Liza Lehmann feature prominently. Of special interest is a selection of songs from Arthur Somervell's Tennyson cycle of
Maude.
First published in 1989.
Price:
£86.00
Twelve Seventeenth-Century English Songs
Ref: SS62
Arranged for Medium Voice by John Williams. Voice & Guitar.
CONTENTS
All my wits hath Will enwrapped E - E (John Bartlet)
Jack and Joan G - E (Thomas Campion)
Never weather-beaten sail D - E (Thomas Campion)
Come again! Sweet love doth now invite D - E (John Dowland)
Flow my tears D - E (John Dowland)
Wilt thou, unkind, thus reave me? E - E (John Dowland)
Since first I saw your face D - D (Thomas Ford)
I prithee send me back my heart C - C (Henry Lawes)
Young maid's resolution C - D (Henry Lawes)
Mistress mine, well may you fare D flat - E (Thomas Morley)
Diaphenia, like the daffdowndilly D - D (Francis Pilkington)
Though far from joy D - D (Philip Rosseter)
Price:
£6.00
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Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London, N3 1DZ England. Tel. 020 8343 3303
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