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Lord of the Dance
PDF Version
Collected Editions
The Byrd Edition
Volume 1: Cantiones Sacrae (1575)
Volume 2: Cantiones Sacrae I (1589)
Volume 3: Cantiones Sacrae II (1591)
Volume 4: The Masses
Volume 5: Gradualia I (1605) - The Marian Masses
Volume 6a: Gradualia I (1605) - All Saints and Corpus Christi
Volume 6b: Gradualia I (1605) - Other Feasts and Devotions
Volume 7a: Gradualia II (1607) - Christmas to Easter
Volume 7b: Gradualia II (1607) - Ascension, Pentecost and the Feasts of Saints Peter and Paul
Volume 8: Latin Motets I
Volume 9: Latin Motets II
Volume 10a: The English Services
Volume 10b: The English Services II - (The Great Service)
Volume 11: The English Anthems
Volume 12: Psalmes, Sonets and Songs (1588)
Volume 13: Songs of Sundrie Natures (1589)
Volume 14: Psalmes, Songs, and Sonnets
Volume 15: Consort Songs for voice & viols
Volume 16: Madrigals, Songs and Canons
Volume 17: Consort Music
Early English Church Music
Volume 1 - Early Tudor Masses: I
Volume 2 - Mundy: Latin Antiphons and Psalms
Volume 3 - Gibbons: I - Verse Anthems
Volume 4 - Early Tudor Magnificats: I
Volume 5 - Tomkins: Musica Deo Sacra: I
Volume 6 - Early Tudor Organ Music: I: Music for the Office
Volume 7 - Ramsey: I - English Sacred Music
Volume 8- 15th-Century Liturgical Music: I - Antiphons and Music for Holy Week & Easter
Volume 9 - Tomkins: Musica Deo Sacra: II
Volume 10 - Early Tudor Organ Music: II - Music for the Mass
Volume 11 - Leighton: The Tears or Lamentations of a Sorrowful Soul
Volume 12 - Tallis: I - English Sacred Music: I - Anthems
Volume 13 - Tallis: II - English Sacred Music: II - Service Music
Volume 14 - Tomkins: Musica Deo Sacra: III
Volume 15 - Dering: Cantica Sacra, 1618
Volume 16 - Early Tudor Masses: II
Volume 17 - Sheppard: I - Responsorial Music
Volume 18 - Sheppard: II - Masses
Volume 19 - Tye: I - English Sacred Music
Volume 20 - Taverner: I - Six-Part Masses
Volume 21 - Gibbons: II - Full Anthems, Hymns and Fragmentary Verse Anthems
Volume 22 - 15th-Century Liturgical Music: II - Four Anonymous Masses
Volume 23 - Giles: Anthems
Volume 24 - Tye: II - Masses
Volume 25 - Taverner: II - Votive Antiphons
Volume 26 - Manuscripts of 14th-Century English Polyphony (Facsimiles)
Volume 27 - Tomkins: Musica Deo Sacra: IV
Volume 28 - White: I - Five-Part Latin Psalms
Volume 29 - White: II - Six-Part Latin Psalms
Volume 30 - Taverner: III - Ritual Music and Secular Songs
Volume 31 - Ramsey: II - Latin Sacred Music
Volume 32 - White: III - Ritual Music and Lamentations
Volume 33 - Tye: III - Ritual Music and Motets
Volume 34 - 15th-Century Liturgical Music: III - The Brussels Masses
Volume 35 - Taverner: IV - Four- and Five-Part Masses
Volume 36 - Taverner: V - Five-Part Masses
Volume 37 - Tomkins: Musica Deo Sacra: V
Volume 38 - Morley: I - English Anthems; Liturgical Music
Volume 39 - Tomkins: Musica Deo Sacra: VI
Volume 40 - Parsons: Latin Sacred Music
Volume 41 - Morley: II - Services
Volume 42 - 15th-Century Liturgical Music: IV Early Masses and Mass Pairs
Volume 43 - Fayrfax: I Magnificat, Mass and Antiphon (O bone Jesu)
Volume 44 - Ludford: I Mass 'Inclina Cor Meum Deus' and Antiphons
Volume 45 - Fayrfax: II Two Masses: 'Tecum principium' and 'O quam glorifica'
Volume 46 - Ludford: Five- and six-part Masses and Magnificat
Volume 47 - 15th-Century Liturgical Music: V. Settings of the Sanctus & Agnus Dei
Volume 48 - The Gyffard Partbooks: I
Volume 49 - 15h-Century Liturgical Music: VI. Mass Settings from the Lucca Choirbook
Volume 50 - The Winchester Troper
Volume 51 - The Gyffard Partbooks: II
Volume 52 - 15th-Century Liturgical Music: VII. The York Masses
Volume 53 - Fayrfax: Regali, Albanus and Sponsus amat sponsam
Volume 54 - Sheppard: III - Hymns, Psalms, Antiphons and other Latin Polyphony
Supplementary Volumes
Musica Britannica
Volumes 1 to 30
Volumes 31 to 60
Volumes 61 onwards
Purcell Society Edition
Volume 1 - Three Occasional Odes
Volume 12 - The Fairy Queen
Volume 21 - Dramatic Music III
Volume 27 - Symphony Songs
Volume 29 - Sacred Music, Part V: Continuo Anthems II
Purcell Society Edition Companion Series
The English Madrigalists
Volume 1: Morley: Canzonets to Two and Three Voices (1595/1593)
Volume 2: Morley: Madrigals to Four Voices (1594)
Volume 3: Morley: Canzonets to Five and Six Voices (1597)
Volume 4: Morley: First Book of Balletts to Five Voices (1595/1600)
Volume 5: Gibbons: Madrigals and Motets for Five Parts (1612)
Volume 6: Wilbye: First Set of Madrigals (1598)
Volume 7: Wilbye: Second Set of Madrigals (1609)
Volume 8: Farmer: Madrigals for Four Voices (1599)
Volume 9: Weelkes: Madrigals to Three, Four, Five and Six Voyces (1597)
Volume 10: Weelkes: Balletts and Madrigals to Five Voices (1598/1608)
Volume 11: Weelkes: Madrigals to Five and Six Parts (1600)
Volume 13: Weelkes: Airs or Fantastic Spirits to Three Voices (1608)
Volume 17: Lichfild: First Set of Madrigals of Five Parts (1613)
Volume 18: Tomkins: Songs of Three, Four, Five and Six Parts (1622)
Volume 19: Ward: First Set of Madrigals (1613)
Volume 20: Farnaby: Canzonets to Foure Voyces (1598)
Volume 21: Bateson: First Set of Madrigals (1604)
Volume 22: Bateson: Second Set of Madrigals (1618)
Volume 23: Bennet: Madrigals for Four Voices (1599)
Volume 24: Kirbye: First Set of English Madrigals (1597)
Volume 25: Pilkington: First Set of Madrigals (1613)
Volume 26: Pilkington: Second Set of Madrigals (1624)
Volume 27: Carlton: Madrigals to Five Voices (1601)
Volume 28: Youll: Canzonets to Three Voices (1608)
Volume 29: East: Madrigals to Three, Four and Five Parts (1604)
Volume 30: East: Second Set of Madrigals (1606)
Volume 31A: East: Third Set of Books (1610)
Volume 31B: East: Fourth Set of Books (1618)
Volume 32: collected Thomas Morley (1601). The Triumphs of Oriana
Volume 33: Alison: An Hour’s Recreation in Musicke (1606)
Volume 34: Vautor: Songs of Divers Airs and Natures (1619)
Volume 35A: Jones: First Set of Madrigals (1607)
Volume 35B: Mundy: Songs and Psalms (1594)
Volume 36: Madrigals by Michael Cavendish, Thomas Greaves, William Holborne and Richard Edwards
Volume 37: Nicolson: Collected Madrigals (c. 1600)
Volume 38: Ward: Madrigals and Elegies from Manuscript Sources
Volume 39: Kirbye: Madrigals from Manuscript Sources
Volume 40: Amner: Sacred Hymnes of Three, Four, Five and Six Parts (1615)
Volume 41: Croce: Musica Sacra (1608)
Volume 42: Yonge: Musica Transalpina (1588)
Music for London Entertainment 1660 - 1800
Group A: Music for Plays 1660 - 1714
Group C: English Opera and Masque
Group D: Pantomime, Ballet and Dance
Group E: Italian Opera
Group F: Music of the Pleasure Gardens
Operas, Odes & Oratorios
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Carter, Sydney: Lord of the Dance. Piano, Vocal and Guitar. PDF file
Consort Songs (XXII)
Secular Vocal Music: Richard DERING (XXV)
Skeaping, Lucie and Roddy: Let's Make Tudor Music: Teacher's Book
Dowland, John: A Pilgrimes Solace (1612)
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Three Songs from A Musicall Banquet
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Addison, John: Divertimento for Brass. Two Trumpets, Horn and Trombone
Ref: Y38
Score and Parts
Price:
£18.00
Bond, Christopher: Equinox for Four Euphoniums
Ref: Y299
Treble Clef
Score and Parts
[PDF Sample]
Equinox
was written in late 2011 as a showcase for the euphonium quartet Euphony, who gave the premiere at the opening concert of the 'Festival of Brass' at the Royal Northern College of Music in January 2012. Since then, Euphony have played the work extensively, including a performance at the International Tuba Euphonium Conference in June 2012, at the Brucknerhaus Concert Hall in Linz, Austria.
The word 'equinox' is derived from the Latin aequi (equal) and nox (night). It is the name given to the twice-yearly occasion when the earths axis is inclined neither away from nor towards the sun, so that day and night are of the same duration. With this in mind I structured the work from two thematic groups, consisting of sections of equal length. The first, which is heard after a brief introduction, is marked Energico, and its character is marked by sustained, lyrical lines unfolding over an accompaniment of rapid and deftly articulated rhythmical phrases. The second section, slow and expressive, offers the strongest contrast both in mood and tempo. By a further association of ideas, this sharp distinction of material could be thought of as representing the frenzy of daytime in comparison with the tranquillity of night. In the third and final section, figures from both the preceding sections are brought together in a vigorous finale, the interplay of the four parts intended to demonstrate the capabilities of the euphonium to the full.
Equinox
was the winning entry in the
2012 Stainer & Bell Award for Brass Composition
, held at the Royal Welsh College of Music & Drama.
Price:
£8.95
Burgon, Geoffrey: Fanfares and Variants on the Agnus Dei from Mass by Guillaume de Machaut
Ref: H53
For two Trumpets, Tenor and Bass Trombone
Score and Parts
[PDF Sample]
Price:
£5.25
Burgon, Geoffrey: Four Elizabethan Dances
Ref: H152
For two Trumpets and two Trombones
Score and Parts
Price:
£4.50
Burgon, Geoffrey: Trio
Ref: H54
For two Trumpets and Trombone
2 scores provided
[PDF Sample]
Price:
£4.50
People who bought this item also bought:
1
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Vaughan, Benjamin Frank: Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain)
(Ref:
Y276
)
2
.
Samuel Rhian: Dovey Junction for Brass Quintet
(Ref:
Y224
)
3
.
Steptoe, Roger: Sonata No. 3 for Brass Quintet
(Ref:
AC27
)
Bush, Geoffrey: Homage to Matthew Locke
Ref: AC14
Six pieces for Brass Sextet. (Three Trumpets, two Tenor Trombones and Bass Trombone)
Score and Parts
[PDF Sample]
A fourteen minute work written in 1965 for the CBSO Brass Ensemble, inspired by Locke's
Music for His Majesty's Sackbutts and Cornetts (1661)
.
Price:
£36.00
Chagrin, Francis: Divertimento in Three Movements for Brass Quintet
Ref: AC16
Score and Parts
Price:
£32.00
Jacob, Gordon: Scherzo for Two Trumpets, Horn and Trombone
Ref: 2634
Score and Parts
[PDF Sample]
Price:
£9.25
Praetorius, Michael: Dances of Terpsichore arranged for Brass Quintet
Ref: H250
No. 1 Spring Dance
Score and Parts
Price:
£6.30
Praetorius, Michael: Dances of Terpsichore arranged for Brass Quintet
Ref: H251
No. 2 Chicken Dance
Score and Parts
Price:
£6.30
Samuel Rhian: Dovey Junction for Brass Quintet
Ref: Y224
Score and Parts
[PDF Sample]
Scenes from Welsh life and landscape are a frequent source of inspiration for the music of Rhian Samuel, and, in
Dovey Junction
, the joyful atmosphere of families en route to the Welsh seaside via the little west-coast railway line is the cue for a crackling scherzo for brass quintet.
A snappy rondo theme insists on dressing up in a different texture each time it returns. In between, pithy staccato phrases for trumpets are the setting for more cantabile figures from horn and trombone, and a brief and bluesy episode for muted solo trumpet suggests lazy days on the beach, or grown-up nostalgia for holidays long past. But the energy and sense of expectation remain unstoppable from the first bar to the last, and all five instruments sweep the music into a furious coda that ends the work in riotous high spirits.
Dovey Junction
was written for performance by Borealis Brass (Alaska) at the UNESCO World Forum on Music, Los Angeles, USA in October 20005, at the invitation of the Fondazione Adkins Chiti: Donne in Musica, (Rome).
Price:
£16.50
People who bought this item also bought:
1
.
Vaughan, Benjamin Frank: Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain)
(Ref:
Y276
)
2
.
Burgon, Geoffrey: Trio
(Ref:
H54
)
3
.
Steptoe, Roger: Sonata No. 3 for Brass Quintet
(Ref:
AC27
)
Samuel Rhian: Variations for Trombone Quartet
Ref: Y197
Score and Parts
[PDF Sample]
The original version of this work was commissioned and first performed by the London Trombone Chorale at the Purcell Room on 9 March 1988. It was revised in July, 2002.
Other works by Rhian Samuel
Price:
£21.50
Steptoe, Roger: Four Sonnets for Brass Quintet
Ref: AC28
Score and Parts
Price:
£29.00
Steptoe, Roger: Sonata No. 3 for Brass Quintet
Ref: AC27
The Knight of the Sun
Score and Parts
[PDF Sample]
Price:
£23.50
People who bought this item also bought:
1
.
Vaughan, Benjamin Frank: Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain)
(Ref:
Y276
)
2
.
Samuel Rhian: Dovey Junction for Brass Quintet
(Ref:
Y224
)
3
.
Burgon, Geoffrey: Trio
(Ref:
H54
)
Wilson, Timothy: Avidity for Brass Quintet
Ref: Y290
Score and Parts
[PDF Sample]
Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's
Avidity
is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title.
In the outer sections of
Avidity
strongly accented rhythms command the attention, with arresting
unisono
phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding
Avidity
with a decisive cadence of abrupt repeated chords.
Price:
£15.00
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Latest Titles:
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(Ref: EC54)
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Restoration Trio Sonatas Set 2. Score and parts
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